Hideous Divinity – Unextinct Review

Hideous Divinity – Unextinct Review

Hideous Divinity has been on a blazing trajectory in their recent career, culminating in the excellent Simulacrum. My former list buddy Ferrous, whose disappearance requires no police investigation I assure you, was rather enthused by that record, and it was one of the few overlapping entries on both our listicles that year. The Italians have earned their pedigree through battering brutality anchored to semi-progressive song structures and rendered with tight technical wizardry. No wonder that expectations are high for Unextinct” Hideous or glorious?

Altar of Betelgeuze – Echoes Review

Altar of Betelgeuze – Echoes Review

Echoes is the quartet’s third full-length since the act’s conception in 2010. While featuring the armaments and cavernous bellows of Incantation or Winter, it also is armed with a stoner doom fuzz and vocal influence from Candlemass. However, you can be sure that the “married iguana” haze does not subtract from Altar of Betelgeuze’s intention of crushing your skull in.” Betelgeuze!

Vorga – Beyond the Palest Star Review

Vorga – Beyond the Palest Star Review

“Ah, space. How little we know of thee. How awestruck we are by thine crushing beauty. It’s no surprise, as I noted in my review for Vorga’s debut record, Striving Toward Oblivion, that artists across various fields and mediums draw inspiration from the immense, unknowable thing that is space. With such a deep well to draw from—as much in terms of raw data and information as in fiction and imagination—I doubt even the relative microcosm of black metal could ever exhaust this rich and ever-expanding resource. Picking up right where they left off in 2022, German melodic black metal quartet Vorga blast off into the deepest reaches of inky blackness.” MOARGA Vorga.

Khold – Du dømmes til død Review

Khold – Du dømmes til død Review

“After being dormant for eight years, Khold surprised the masses in 2022 with their comeback album, Svartsyn. And boy did they come back in a big way—completely erasing 2014’s Til endes from my memory. Reformed with all the key players and even feistier than ever, these Norwegian giants had me so convinced of their greatest that they made it on old Grier‘s top-ten list. Nothing made me happier that year than hearing Gald’s signature snarl and Sarke’s punishing drum work. Hell, I would have been happy just to hear the album, much less love it the way I do. Two years later, it looks as if the band is sticking around because now we have this year’s Du dømmes til død.” You can’t spell Khold without “old”.

Stress Angel – Punished by Nemesis Review

Stress Angel – Punished by Nemesis Review

“2021 saw Stress Angel belch forth out of Brooklyn with a hideous sound marrying Autopsy-core with punky d-beatery and crust-encrusted doom. Bursting Church was a slippery, slimy, nasty piece of work and the duo behind it was effective at throttling throats and sacrificing goats. 2024 comes around and the gruesome twosome returns with sophomore outing Punished by Nemesis, and with it a more expansive palette and grander vision.” Punishment is overdue.

Acathexis – Immerse Review

Acathexis – Immerse Review

“After the immensely affecting self-titled debut released at the end of 2018, Acathexis rapidly became one of my more closely watched new acts. A dream team of Mare Cognitum’s Jacob Buczarski (drums), Déhà (guitars, bass), and Los Males del Mundo’s Dany Tee (vocals, lyrics) comprises the talent, and melancholic black metal rife with weeping melodies and misty atmosphere makes up the content.” Super groups, man…

Iterum Nata – From The Infinite Light Review

Iterum Nata – From The Infinite Light Review

“Another week, another genre mashup for Iceberg, the frozen fringe-dweller. After a disappointing—and apparently controversial—dive into more straightforward waters, I was excited to spy the black/neofolk/prog tag on the newest release from Finnish one-man band Iterum Nata. Jesse Heikkinen spent some time with countrymen and fellow genre-blenders Hexvessel before striking out on his own, and this will mark his fifth solo release.” Moose mania.

Hamferð – Men Guðs hond er sterk Review

Hamferð – Men Guðs hond er sterk Review

“Like so many things doomy, Hamferð doesn’t move quickly. Back in ’18, these Faroese doomsters—fronted by my golden voiced arch-nemesis and all around begrudging ‘friend o’ the blog’ Jón Aldará—released their second album Támsins likam.” I heaped love and adoration upon it and them. And given my history of fickle tastes that shift like the wind, one can only assume that I hate the followup, right?

Dödsrit – Nocturnal Will Review

Dödsrit – Nocturnal Will Review

“It’s not like I really need any convincing, but it’s great when an album comes along and reminds me that black metal is, in fact, fucking fantastic. 2023 was a comparatively dry year for the genre, especially as far as the more straightforward, unadorned variety was concerned. 2024 is already making up for it. Swedish/Dutch four-piece Dödsrit are one of the voices in the scene quietly but confidently proving how effective some no-frills (crust-adjacent) melodic black metal can be.” Black is the olde black.