Grymm

The beard knows who is trve.
Godflesh – Purge Review

Godflesh – Purge Review

“Tons of things have been said about industrial pioneers Godflesh. Unrelentingly brutal. Hypnotically trance-inducing. Pairs alarmingly well with Destiny’s Child. Whatever your stance or point of reference, there’s no denying the long-standing Birmingham duo have carved their way into the minds and hearts of the industrial scene since their arrival in the late 80s, and have bludgeoned and captivated over the course of eight highly-influential albums.” Streetcleaning or street cluttering?

Yer Metal is Olde: Blut Aus Nord – The Work Which Transforms God

Yer Metal is Olde: Blut Aus Nord – The Work Which Transforms God

“Before we dive headfirst into today’s induction, I want to address the impressively large, off-salmon-colored pachyderm that’s currently occupying a large space in the corner of the room. Black metal, especially in the late nineties and early 2000s, wasn’t all that terrifying, despite what their chief songwriters would have you believe. Behind all the church arsons, bullshit posturing, literal back-stabbing, racism, homophobia, xenophobia, and murder, the music didn’t even come close to attaining a faint whiff of what they were trying to achieve aesthetically.” And then, transformation.

Shores of Null – The Loss of Beauty Review

Shores of Null – The Loss of Beauty Review

“It’s a dreary, overcast March afternoon as I type this review. The ground remains caked in mud, the air battles between the dampness of southern humidity and the frigidity of winds that blowing in from the north, and even though it’s not raining yet, the weather-induced migraine that I’m currently nursing indicates that it desperately wants to pour any given minute now. Needless to say, it would be par for the course for the last, oh, couple of weeks here in weather-temperate Florida. Normally, I would also say it would be an ideal day to review The Loss of Beauty, the fourth full-length by Italian doom merchants Shores of Null.” Metal for all seasons.

Otoboke Beaver – Super Champon [Things You Might Have Missed 2022]

Otoboke Beaver – Super Champon [Things You Might Have Missed 2022]

“It never ceases to bum me out when people will champion (rightfully, I may add) one band for their characteristically wacky, zany antics and tight musicianship, but somehow let another, similar experience slide through the cracks. Case in point: we here at The Church of the Metal Guy of Angry have our fair share of Beaten To Death fans, and it’s not hard to see why. Their off-beat harmonies, blast-happy histrionics, and hilarious song titles won over a number of our jaded, blackened hearts in no time. That said, not many of us can say the same for (or at least listened to) the quirky, bubbly, and yet utterly batshit insane stylings of Kyoto’s Otoboke Beaver.” Leave it to Beaver.

Chrome Ghost – House of Falling Ash Review

Chrome Ghost – House of Falling Ash Review

“As 2022 winds down and I retreat into my hiding spot to catch up on releases from this year that I haven’t listened to yet while working like crazy, my city is currently in flux in terms of the weather. Sure, autumn’s turning the leaves brown and the skies grey, but it’s far from California dreamin’ weather here in Florida. In fact, for the most part, it’s still downright toasty here compared to the rest of the States. And speaking of California and all things toasty, that’s the vibe I got while listening to House of Falling Ash, the third album from Roseville, California sludge/doom trio Chrome Ghost.” Falling to cold.

Mother of Graves – Where the Shadows Adorn Review

Mother of Graves – Where the Shadows Adorn Review

“As autumn attempts to blow its crisp, leaf-scented breeze through the still-humid, still-swamp-assy climes of Northeastern Florida, I can’t help but reach for my own aural equivalent of a pumpkin spice latte, a sound so comfortable that it’s akin to slipping on a well-worn hoodie that’s seen better days. Kiddos, it’s time to revisit the sounds of early 90s doom/death. I’m talking about reminiscing of days both Brave and Murderous, of paradise being lost, and of flowers withering.” Old dooms.

Strigoi – Viscera Review

Strigoi – Viscera Review

“As much of a doom metal cat as I am, I’ll woefully admit when I miss the boat on a band.Vallenfyre, the death/doom side-project that Paradise Lost axeman Gregor Mackintosh created to process the loss of his father, released three albums of 90s throwback Asphyxiation before Mackintosh put the band to rest in 2018, stating that he felt the band had run its course thematically. However, he still wanted to continue in that murky, grotesque vein, so with the help of live ‘Fyre bassist Chris Casket, Mackintosh unearthed Strigoi, a grindier, filthier proposition.” Death as paradise.

Lybica – Lybica Review

Lybica – Lybica Review

“First and foremost, and this should come as no surprise to any of you… but this wins Cover o’ the Year for me. Hands down, no competition. Sure, you’ve got your Eliran Kantors, your Travis Smiths, and your Necrolords. And that’s all fine and dandy. But here, we have a proud, majestic cat with its tongue out, as if to say, “I’m here, world… and I shall blep.” It’s only fitting, then, that Lybica, the South Floridian instrumental band featuring Killswitch Engage’s Justin Foley and members of Gravel Kings, would name themselves after the African wildcat species often referenced as the godfather to the modern-day domesticated cat.” Cats in the belfry.