“I wanted a black metal/noise hybrid. I figured it was the trvest style out there: the ultimate form of pitch-black atmosphere that could conjure abstractness and bleakness to new heights. While there have been plenty of artists that have tried, like Enbilulugugal, Gnaw Their Tongues, and Abruptum, success has been limited, so I wished upon a star for noisy black metal.” Cut off your noise to spite your face.
It was said of the author, Michael Crichton, that he was unusually cursed. By some Faustian bargain, he was able to come up with exceptionally good ideas for his novels, but then cruelly denied the ability to see any of them through to satisfying conclusions. It’s why most movies of his works (Jurassic Park, The […]
“I’m getting too old for this shit. That was my initial thought after starting my third or fourth listen of Blessed by Embers, the debut album by U.K. black metal band Drakonis. Hailing from Northern Ireland, the group initially had some promising signs that drew me in. The promo blurb told of a band that had captivating live shows, a string of EPs that garnered positive reception, and a style that mixed black and death metal without falling neatly into any one genre (several members are also part of folk metal band Waylander, so they have some experience under their belts as well).” Olde and cranky.
“I am worried. I find myself in the midst of an unfamiliar situation that I am not sure I am equipped to handle. I am not talking about the global pandemic—I know I am not equipped to handle that. No, the situation I am talking about is that I am staring down the barrel of awarding another 4.0. You need to understand that, when March began, I had awarded a total of three 4.0s across my whole time at AMG. Now, I am very seriously considering awarding a third this fucking month!” The struggle is real.
“Length alone does not a smart song make. Anyone can throw a dozen disparate riffs together without rhyme or reason under the pretense of progressive songwriting. That’s what’s kind of amazing about Wardaemonic’s fourth LP, Acts of Repentance. These songs aren’t necessarily clever, but what they lack in songwriting tact is made up for by a dense, captivating atmosphere.” Repentance, then war.
“Amnutseba is a “lacerating ‘n labyrinthine” black metal group from Paris. After releasing a couple demos, re-released in vinyl as compilation I-VI, they reemerge to release Emanatism, a devastating tour-de-force packed to the brim with noisy ideas. What separates it from any other Deathspell Omega– and Satan-worshiper? It is, in a word, unhinged.” Midnight in Paris.
“Though Angelcorpse were only active for five years in their initial run, in that short time they managed to release three terrific albums and establish themselves as one of the most iconic blackened death metal bands of all time. After reuniting and releasing 2007’s Of Lucifer and Lightning to mediocre reception, the Kansas City group would split up again, with guitarist Gene Palubicki going on to showcase his ideas in Blasphemic Cruelty, Apocalypse Command, and Perdition Temple. It seems odd considering their slow rate of output, but Temple have easily been the most prolific of these three projects, with the band now on their third album since their 2009 inception.” Temple ov Anger.
“No matter who you are or where you live, everyone is being asked to stay home from a job that they may not get to come back to. Or… living it up with their family in a mansion whose walls sport the fashionable 2020 Vintage Toilet Tissue Wallpaper. Then there’re others of us that push on like nothing is happening. Regardless of your dilemma, this shit has come out of nowhere and I-just-went-in-for-eggs-and-left-after-four-hours-because-only-ten-people-were-allowed-into-the-store-at-one-time is a thing. Everyone’s upset and no one knows what’s gonna happen next. Funny enough, that’s the perfect attitude to have for Malokarpatan’s newest masterpiece, Krupinské ohne.”
“I’m an old dude and there’s no getting around it. Because of my advanced case of age, I’m much more susceptible to nostalgia-core than those younger than I, and when 80s-flavored fares are hawked, I’ll always elbow my way to the front and sample them lustily. Nite is a brand spanking new project by members of Dawnbringer, Satan’s Wrath and High Spirits, and what they’re cooking here is a rollicking mixture of classic 80s metal with a decidedly blackened edge.” Those glorious 80s Nites.
“For those of you acquainted with the Dutch black metal scene, this is another project from Maurice “Mories” de Jong, whose sadistic tendrils puppeteer acts like Gnaw Their Tongues, De Magia Veterum, and Obscuring Veil, to name only a few. He and an anonymous member released three demos and an EP in 2019 under the moniker Dodenbezweerder, which attempts to fuse the sprawl and evocation of ambient black with the edge and claustrophobia of raw black.” Noise as a weapon.
