Angry Metal Guy

Scar Symmetry // The Unseen Empire
Rating: 3.0/5.0 — Good, but uh, what the hell happened?
Label: Nuclear Blast [EU | US]
Websites: scarsymmetry.com | myspace.com/scarsymmetry
Release Dates: EU: 2011.04.15 | US: 05.17.2011

A couple years ago I reviewed Scar Symmetry‘s Dark Matter Dimensions and to my surprise I thoroughly enjoyed it. While I gave it a very good score at the time (4.5/5.0), I made the comment that the band was a little formulaic. It seemed to me that the Scar Symmetry could have worked harder to break out of the mold that they seemed to be trying (very hard) to fit into. That mold, otherwise known as “tech-meets-Soilwork” is basically techy death metal with big, catchy choruses. And, while I admit that Scar Symmetry is an much better band than Soilwork as far as writing catchy melodies, there are times when the music feels like it’s just built around this structure. I suggested that the band try to break out of that mold and build on the techy side. Continue reading

The Bridal Procession // Astronomical Dimensions
Rating: 2.5/5.0 — Behemoth 2.0 [3]
Label: Siege of Amida Records
Websites: myspace.com/thebridalprocession
Release Dates: World: February 7th, 2011

The Bridal Procession are a death metal band with orchestral stylings from Paris, France. If you go to their Last.fm page, the first thing you see on there is someone writing “Behemoth 2.0.” What’s funny about this was exactly my response when I heard the introduction of this album, which has an Egyptian sounding orchestral introduction followed up with a vocal introduction that was ripped straight off from “Slaves Shall Serve” (a track from Behemoth‘s Demigod, if you’re not familiar). This did not raise my expectations very high, to be totally honest. And, because of that I never had time to get disappointed by the mediocrity, and more frankly, unoriginality that followed. Continue reading

Artas // Riotology
Rating: 2.0/5.0 — I’ll be dropping this class
Label: Napalm Records
Websites: myspace.com/artasmetal
Release Dates: EU: 28.01.2011 | US: 02.08.2011

Well, I’m not sure what I did to end up on the Angry Metal Guy’s Official Shit List™.  However, his  assigning me both the new Lazarus A.D. and Artas albums proves I’m on it bigtime. I can just picture AMG up there on his throne all high and mighty, laughing as he contemptuously sneers, “let him eat metalcore.” Steel Druhm does not like being on the Shit List and Steel Druhm will have his wengeance! Anyway, Riotology is the second album by Austrian metalcore/quasi-thrash bandwagon jumpers Artas. Up until now their claim to fame was a wildly ill-conceived cover of Coolio‘s “Gangsta’s Paradise” which ended up being funnier than Weird Al Yankovic‘s “Amish Paradise.” Now with Riotology they can truthfully claim recording two average metalcore albums. Hey, congrats guys! As soon as I saw the album cover which looks like a screen shot from the Assassin’s Creed video games I should have known where this was heading. The second clue I was in trouble was the band’s prominently displayed claim that they play “modern metal.” Apparently that’s record industry speak for tired metalcore by bands that yearn to be At the Gates and In Flames with poppier, radio-friendly choruses.  Because I am merciful, I will now implore you all to leave this review and save yourselves. I can’t go with you however, for I must write on. Continue reading

Against the Flood // Against the Flood
Rating: 1.0/5.0 — Form Above Function
Label: Siege of Amida Records
Websites: againsttheflood.co.uk
Release Dates: January 3rd, 2011

So apparently the UK has a lively metalcore and deathcore scene that is being picked up and flown around the world right now. Against the Flood is one of those bands that sits right on the border between the two genres (which are basically just one genre if you look at their girl jeans and stupid hair cuts) and who have taken from me nearly 60 minutes of my life that I will never, ever, ever, ever get back. As a punishment, I will pee on them publicly—from my blog (and wait for their stupid oaf fans—and buddies—to come here and insult me). Continue reading

The Ocean // Anthropocentric
Rating: 2.5/5.0 — On the ‘meh’ side.
Label: Metal Blade
Websites: theoceancollective.com | myspace.com/theoceancollective
Release Dates: EU: 05.11.2010 | US: 11.09.2010

I gotta say up front that I am not a big fan of sludge, I mean, you should be forewarned of this. So when I first heard The Ocean‘s controversial (and apparently much hated) opus Heliocentric I was really happy about it. It was way more shoegaze or post-hardcore than it was sludge or anything really coming near to it. Short on the hardcore and tall on the clean vocals—I was impressed. I gave it a 4.5/5.0 and I stand by that (in spite of the incessant whining of jilted fans). So I was pretty interested to take a listen to the follow-up Anthropocentric. And my worst fears were confirmed: they pulled an Opeth. Soft record. Heavy record. Blech. Anyone else ever notice that this never works? Continue reading

Soilwork // The Panic Broadcast
Rating: 3.0/5.0 — Commercial as hell…
Label: Nuclear Blast (EU | US)
Website: soilwork.org | myspace.com/soilwork
Release Dates: EU: 02.07.2010 | US: 07.13.2010

Wow. So, it’s been like 10 years since I’ve listened to Soilwork and it turns out that they don’t sound at all even remotely the same. Sometimes a band falls off your radar and you don’t even think about them at all and honestly, Soilwork is one such band. Now, it’s probably not a surprise to anyone else but I was in utter shock when I turned on The Panic Broadcast to discover that the Gothenburg sound had totally been replaced by eurocore! See, now you’re laughing at my ignorance, but I’m a bit surprised. See, in Angry Metal World™ the last record that Soilwork released was actually The Chainheart Machine in 2000. And back then, these guys were playing a not-entirely-novel, but very, very good version of the Gothenburg sound. Turns out in the much lamer real world Soilwork has had a bunch of records and gotten a new vocal style, a new sound and hyper-produced. Continue reading

Menemic // Sons of the System
Rating: 2.0/5.0 – Blasé, cliché and just generally mediocre
Label: Nuclear Blast (EU | US)
Website: myspace.com/mnemic | mnemic.com
Release Dates: EU: 15.01.2010 | US: 01.26.2010

Mnemic has been around in the æther for a while but I’ve never given them a proper listen until now. The band has good promo, they’ve toured Europe twice with metal giants (like ‘em or not) Metallica, they look like real metal dudes and they’ve got cred because a couple people I know compared them to Meshuggah back when they first came out. Unfortunately, Sons of the System sounds a lot less like Meshuggah and a lot more like Sonic Syndicate. This record is another convergence point for things that I’m not really keen on in the world of metal and I’ll give you a short run-down.

At its base Mnemic is a groovecore band. The riffs are meant to be groovy, the drums tight and heavy and the atmosphere built to move your body to. Now and again they pull that off, but I think they’ve got a couple of things working against them on this front. First, groovecore sounds more and more like metalcore in my ears every time I listen to it because the production values are leaning more in the direction of triggered drums, “soaring vocal” choruses a la Killswitch Engage and a glut of predictable and uninteresting breakdowns. While expertly executed and smoothly produced, Sons of the System follows this formula off the cliff. The soaring vocals are completely forgettable, the chuggy parts feel thin and very rarely is there a groove that makes me want to do anything other than listen to something else.

This is not to say that there is nothing good going on here, but it’s few and far between. The track “Fate” has its moments, for example, and there are a couple of melodies early on that caught my ear  (the intro to “The Erasing” is a great example of this) but they never moved me to anything more than a “huh.” To top it off, the disc just gets pretty repetitive. Since the band isn’t doing anything very interesting melodically throughout the whole 55 minutes of this disc, the tracks all blend into eachother, with each chorus mimicing the choruses before and after it and the riffs repeating ad nauseum. The advertised “progressiveness” that has been flaunted in reference to this new record is few and far between (I count about 3 places where the record moves into something beyond standard groove riffs) and mainly it just sounds like Meshuggah rip-off rather than something new and interesting.

There is a sound that is forming with these groovecore/metalcore bands that are coming from Europe that I’m thinking about dubbing with the very down-my-nose kind of expression: Eurocore. Sonic Syndicate sounds pretty much like this as well, with production values that bore and fail to impress, groovy riffs that are everything you’ve ever heard before and a formula that, in general, disappoints because of its predictability and lack of originality. I guess I understand that there’s pressure on these bands to try to be as commercial as possible in order to stay in the limelight, but then again.. I can’t think of anyone I know who actually likes music that sounds like this.