“If you read lists of what women find attractive in men, Number Three is always a sense of humor. Since most men (including myself) will never have Numbers One or Two, this becomes a very important trait. Enter Gama Bomb, an Irish thrash band that loves to sing about Kurt Russell and Robocop. Their nerdy sense of humor has been a beacon on the thrash scene since their 2005 debut, Survival of the Fastest, and in some ways, they could be considered the AC/DC of thrash.” Run for our love!
Irish Metal
Malthusian – Across Deaths Review
“Remember when you “cleaned out” your basement and swept a pile of concrete, paint chips, and earwig corpses into the corner? Malthusian broke into your house, snorted it, and recorded Across Deaths there while you were at work. This album will give you an asthma attack and reduce your children’s IQ by ten points.” Population control metal.
Raum Kingdom – Everything & Nothing Review
“When post-metal is done right it’s so mothersludgin’ right. It gets a bad rap from some for its lack of definable riffs, pretentiousness, and bloated structures, but it’s one of those styles that can grip and shake your core like no other. It’s a patient, reflective, solitary sub-genre that does require a certain state of mind for the juice of an album to be extracted. Sometimes you’ll be met with a thick wall of repetitiveness that cannot be penetrated, other times with a sloppy mush of watery crescendos and vocals. Sometimes, though, you’ll encounter a beast of an album that throbs with the force of a membranous world-eater, an oozing, atmosphere-drenched annihilator that secretes a vitriolic self-loathing power into your mind as you listen.” Celtic rage.
Celtachor – Fiannaíocht Review
“As a young lad, I took great pleasure in diving deep into the mythologies of the world. Little Me buried himself in books detailing Greek mythology like most people would with comic books. As years progressed and I discovered the joys of metal music, I found plenty of inspiring stories from around the world. From the books of J.R.R. Tolkien to Elias Lönnrot’s timeless Kalevala (thank you, Amorphis), my appreciation for stories of different cultures and lands would not be so rich had it not been for the music you and I love so very much. Now, Ireland’s Celtachor crafted Fiannaíocht, a 57-minute epic based on the stories of hunter-warrior Fionn mac Cumhaill, long-regarded as the bravest, strongest warrior to ever walk the Emerald Isles.” Fightin’ Irish.
Primordial – Exile Amongst the Ruins Review
“When one thinks of passionate metal that bleeds their country’s heritage and history, Primordial usually ends up being the first, if not only, band that springs to mind. With a rich catalog rife with epic song structures, full-chord riffs, and the soaring vocals of A.A. Nemtheanga, the Irish quintet possess a discography to be envious of. Oftentimes battle-worn, other times sad-yet-defiant, Primordial never cease to craft works of metallic art that thrusts them head-and-shoulders above their contemporaries.” Heritage, history, heresy.
Rabid Bitch of the North – Nothing but a Bitter Taste Review
“Come on, with a name like that can you blame me for grabbing this band’s album? It’s the equivalent of promotional clickbait. Crazy band name, goofy album title, and even goofier band picture, all topped off with the fact that the band consider themselves purveyors of the NWOBHM (despite the fact that this is really their debut album). It all adds up to something that, if Steel wasn’t already double-dipping this week in the review pool, he would have grabbed for sure. Which means I get his sloppy seconds.” The bitter taste of rabies.
Selene – The Ravages of Time Review
“Selene are a relatively new symphonic metal band based in Belfast, Ireland. I’m not going to get on a high (or low) horse about the genre: if you like symphonic metal, you’ll read this review, and if you don’t you’ll scroll down and look for something nastier. It’s all good to me.” Nightmiss.
The Crawling – Anatomy of Loss Review
“When bands list their influences publicly, I’m apt to cross at least a few of those names off a list of potential name-drops. Whether or not those tributaries contributed to the intellectual process of music-making is irrelevant. Many bands resemble their idols only with a squint and a head-tilt. Yet The Crawling’s list of Bolt Thrower, Entombed, My Dying Bride, and Novembre reads like a playbill., each entry more accurate than next.” A night at the chopra.
The Vicious Head Society – Abject Tomorrow Review
“Gun to my head, I’d have to say that no metal sub-genre tickles my fancy as much as progressive metal. It’s hardly a fully independent genre, though, because how often do you call a band straight-up progressive metal? Well, sometimes, but usually it’s progressive death metal, or progressive power metal, or any of the other combinations. This is because while other sub-genres are more about a certain sound or atmosphere, progressive is almost exclusively about the structure of the songs, freeing the band from their verse-chorus shackles. This allows for longer songs with more room to explore, and the pull of a narrative structure leads to concept albums more than any other genre.” Is this a dream in a theater?
Apostate Viaticum – Before the Gates of Gomorrah Review
“At first glance of Apostate Viaticum’s debut, Before the Gates of Gomorrah there’s not much that indicates if a diamond has been pried free from the earth or it’s just another lump of coal. Time to dust off the jeweler’s loupe to see if we have something that glitters.” Death metal does not favor the shiny.