Bad Omen Records

Spell – Opulent Decay Review

Spell – Opulent Decay Review

“The retro waves never stop crashing ashore, they just shift decades. Beginning around 2000 the metalverse became inundated with 80s throwback acts, and over the past ten or so years there’s been an increasing drive to mine 70s rock for inspiration as well. Canadian act Spell are in on this big dig, incorporating a lot of 70s rock ideas into a slurry containing NWoBHM and goth rock. Opulent Decay is their third attempt to get this tricky recipe right, showcasing an intriguing blend of eras and styles which results in something very old sounding and full of occult auras.” Olden magic.

Mirror – Pyramid of Terror Review

Mirror – Pyramid of Terror Review

“Everything is retro nowadays. That’s not necessarily a bad thing, but it is a thing. I’ve heard people say that reviving significant trends from previous decades is the result of a complete lack of originality in the current one. But I think it’s simply a law of human nature. People in any given decade become fascinated with aesthetics from anywhere between 30-to-50 years ago—presumably because they’re just now (re-)discovering themand for a while the cultural landscape morphs into this weird amalgam of modern ideas squeezed through a retrospective filter. Or, sometimes people simply mimic whatever popular thing from whatever decade they have latched on to at the time.” Living in the past.

Wytch Hazel – II: Sojourn [Things You Might Have Missed 2018]

Wytch Hazel – II: Sojourn [Things You Might Have Missed 2018]

“2018 was the year Steel Druhm paid way more attention to what was going on with Bandcamp. I monitored what writers and readers were buying and recommending and found a few gems along the way. My favorite was II: Sojourn, the sophomore outing by U.K. retro rockers, Wytch Hazel.” Rub it on.

Wretch – Wretch Review

Wretch – Wretch Review

“Of the wavelengths split from heavy metal’s prism, doom is the color that can most clearly trace its path back to Black Sabbath. Down-tuned riffs, fuzzed-out solos and a bottom end that would make Sir Mix-a-lot dab the sweat from his brow, today’s doom acts unabashedly carry the flame first lit by Messrs Iommi, Ward, Butler and Osborne. The danger in this familiarity is that some bands struggle to escape their progenitor’s orbit and end up as pale imitators rather than carving out a space of their own.” Doom space is tough to come by these days.