Taake – Noregs Vaapen Review
Taake // Noregs Vaapen
Rating: 3.0/5.0 — A few surprises!
Label: Dark Essence
Websites: taake.svartekunst.no | myspace.com/taakeofficial
Release Dates: EU: 2011.09.19 | US: 11.01.2011
Taake has easily been my favorite from the second wave of Norwegian black metal bands. I discovered them through a friend of mine back after the classic Nattestid ser porten vid was released and have been a huge fan ever since. Despite having moved away from black metal as a whole, because I think it’s a pretty boring landscape of repetition and monotony these days, I have always kept my eyes on what Høst and his rotating band of live musicians are doing. That said, I was not a fan of the band’s eponymous release which hit in 2008. I felt like it was bland and it left me without the same sort of awe that the first three full lengths left me in. Continue reading
Another one of those bands that has floated in and out of my ‘sphere of knowledge’, I’d never really given Vulture Industries a fair chance. Part of this was probably just laziness on my part, but also the undeniable fact that the band had been pigeonholed as an Arcturus rip-off certainly didn’t make me want to check them out very much. As I’ve been pretty consistent about, I think that rip-off bands are usually boring, unimaginative and frustrating. And with a band like Arcturus that is easily one of the most unique bands to ever show up from the black metal scene, I couldn’t see how it could possibly be even remotely good. Certainly a band cannot re-imagine the most imaginative band from the first wave of Norwegian black metal. 
It would seem that Angry Metal Guy is actually forming review themes, like some sort of ongoing process wherein I discuss the ups and downs of the metal scene while reviewing records, and even debate them with some of the other reviewers. Because reviewing is an ongoing process here, often times things get lumped into groups in my head that others might not see. But what’s interesting is how during this big debate about whether or not bands should really be striving for an original and unique sound I am basically reviewing Nàttsòl‘s new record and Galar‘s new albums side by side. Like Nàttsòl, Galar is a young Norwegian band that is working in the footsteps of Ulver. Released by Dark Essence Records, Til Alle Heimsens Endar (“Until the End of All Worlds”) is the second album from the band, whose first record Skogsvad was released in 2006 and I, incidentally, have never heard it. The record itself is based on the work of Snorri Sturluson’s “Heimskringla”. 
