Nightmare Records

Lance King – ReProgram Review

Lance King – ReProgram Review

“Lance King, the former vocalist of Balance of Power and Pyramaze and pride of prog-metal lovers everywhere, has been too quiet for too long. Running Nightmare Records seems to keep him plenty busy, as his last solo outing was 2011s A Moment in Chiros, but 2019 finally sees the man flexing his golden pipes once again on ReProgram. Backed by a large supporting cast of musicians from acts like Pyramaze, Anubis Gate, and Darkwater, Lance’s second solo outing tracks the kind of highly melodic prog-power style he’s known for, while exploring concepts of self-identity, belief systems and the influences that shape our thinking.” Hail to the King.

Anubis Gate – Covered in Black Review

Anubis Gate – Covered in Black Review

“When it comes to prog-power, Anubis Gate has been the first name in my Rolodex ever since 2005s A Perfect Forever found its way to my iron ears. Later albums like Andromeda Unchained and The Detached essentially wrote the book on how progressive power metal should sound, and I have an unhealthy fixation on both those slick platters of melodic metal. After hearing rumors the new album would be a departure for the band, I had a nagging feeling that a great love affair might be headed for the rocks. After a 3 year wait, Covered in Black does indeed find the band in a different place musically and mentally.” Storm at the gate.

Myrath – Legacy Review

Myrath – Legacy Review

Myrath makes what they call “Tunisian metal.” While this is a totally legit way of framing it, it’s also fair to say that they really make a kind of orchestral power metal laced with the sounds and stories of North Africa. Despite having debuted in 2007, I’ve only previously listened to 2010’s Desert Call. It might be that I had just gotten to the album directly after reviewing the absolutely transcendent The Never Ending Way of ORwarriOR by Orphaned Land, but the album didn’t stand up for me and I didn’t really ever follow up on them.” So what’s 5 years distance do for Angry Metal Guy’s opinion of the only Tunisian metal band you’ve ever heard of?

Voyager – V Review

Voyager – V Review

“Australia’s Voyager has stealthily grown into one of my favorite bands over the past five years. While I was suitably impressed by 2009s I Am the Revolution, I was utterly blown away by 2011s The Meaning of I, to which I gave an extremely rare perfect score. They have a very distinctive sound and approach to power-prog and their ear for melody and hooks is second only to Anubis Gate. Naturally, as the release of V grew near I became giddy like a school girl at a Justin Bieber kissing booth. Now I’ve spent some serious time with V and it actually comes close to my high expectations…at first.” But what happens next? Oh, the huge manatee!

Anubis Gate – Horizons Review

Anubis Gate – Horizons Review

“Prog metal can be an off-putting proposition for some folks. With all the odd time signatures, tempo shifts and efforts to show how talented the band is, sometimes the songs themselves are abandoned along the highway of wankery. Power-prog has always been a bit easier to stomach for yours truly, taking the basics of power metal and jazzing it up some, but not too much. In this sub sub-genre of music, Denmark’s Anubis Gate have long been my favorite due to their ability to craft mesmerizing, impossibly catchy melodies and emotional songs that resonate from the very first listen.” Do these great Danes continue to enthrall the jaded Steel Druhm, or has that love died on the vine?

Seven Kingdoms – The Fire is Mine Review

Seven Kingdoms – The Fire is Mine Review

Through hellstorms, hail and snow, Steel Druhm keeps delivering the power metal like a creepy, metal-obsessed mailman in full battle armor. Today’s package includes the classic power stylings from Seven Kingdoms. If you like the super catchy Hammerfall and Gamma Ray sound, this will blow your mind as it did Mr. Steel’s. It seems there’s no end to the power metal destruction he plans to unleash on these here pages in the coming weeks, so batten down the hatches and prepare accordingly.

Lance King – A Moment in Chiros Review

Lance King – A Moment in Chiros Review

Lance King, like Elvis, is everywhere. He’s sang for a ton of bands (Balance of Power, Pyramaze, Avian, Empire etc. etc.), he runs Nightmare Records and still found the time to record and release his first solo album, A Moment in Chiros. For those unfamiliar with his body of work, Mr. King is the quintessential prog-power metal singer. His voice is versatile, powerful and his range is impressive. He sounds equally at home alongside melodic power metal and thoughtful prog-metal. For his debut solo project, he’s brought in elements of both and made damn sure everything is super-duper melodic, even symphonic at times. To assist him in this endeavor, he recruited a mighty host of friends, including members of Anubis Gate, Beyond Twilight and Adagio. The final product (which was apparently written and recorded in only three months) will remind many of Empire-era Queensryche mixed with elements of Dream Theater, Pagan’s Mind, Anubis Gate and of course, Lance’s other units, especially Balance of Power. There are moments where Lance and company shine as bright as the sun and there’s some interesting material here for fans of power-prog. However, A Moment in Chiros struggles with the consistency of quality and this ultimately hurts things, which is a real shame.

Anubis Gate – Anubis Gate Review

Anubis Gate – Anubis Gate Review

Denmark’s Anubis Gate seems fairly unstoppable. After two above average releases in the early part of the millenium, their 2007 opus Andromeda Unchained was a huge breakthrough and one of the best albums that year. 2009’s follow-up The Detached was nearly as good and also one of the year’s best. Now in 2011, they do it yet again with this self titled platter, all the more impressive since they lost the talents of stellar vocalist Jacob Hansen shortly before recording. Anubis Gate specialize in hyper-melodic metal with a fair amount of progressive leanings. To my ears, they always had a strong similarity to Vanden Plas and they excel at crafting memorable and super catchy metallic hymns. Now that bassist Henrik Fevre has stepped in on vocals, the Vanden Plas similarities increase ten-fold since his voice is very much like that of Plas’s Andy Kuntz. This is not a bad thing at all and Fevre does a smash up job as we’re given a whole new set of proggy, melodic metal with the typically strong songwriting these chaps are known for. These guys just know how to write memorable music and I’m happy they maintained their high level of output.