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Tar Pit – Tomb of Doom Review

Tar Pit – Tomb of Doom Review

“There is, at least to my ears, a point at which doom, stoner rock, and sludge all intersect, at which point it’s hard to definitively class a band one thing or the other. This is perhaps unsurprising, given the common roots these sub-genres all share in Black Sabbath, Pentagram, Trouble, et al. And it is this murky, fuzzy point of overlap that Portland, Oregon four-piece Tar Pit inhabit and do so quite knowingly and unashamedly.” Stuck in the pit.

Intothecrypt – Vakor Review

Intothecrypt – Vakor Review

“I’m always interested in bands that rise from the ashes of other bands. We hear about it all the time: four original members from one band go onto form their own band, bringing fans of the original band untold joy, because that band hasn’t put out a record in twelve years. In the case of Russian doom act Scald, it was the unfortunate death of the band’s lead vocalist that led its remaining members to Tumulus, which plays folk metal based on Slavic mythology. Fast-forward to 2016, and those same original Scaldians have now formed Intothecrypt, fusing these styles together by playing blackened death-doom in English and Ancient Russian, with Finno-Urgic influences informing both the story and the language.”

Thy Serpent’s Cult – Supremacy of Chaos Review

Thy Serpent’s Cult – Supremacy of Chaos Review

“The world has moved on, woe Discordia, and every day sees more and more elements of the past being phased out of existence. Goodbye, Pogs. Farewell, AIM. RIP Nu-Metal (no, seriously, please rest). The sands of time are a cruel invading force, whatever will they snatch up next? Chile’s Thy Serpent’s Cult may be bowing out of the fight after nine years of thrashing to death, but their answer, given in their swan scream album Supremacy of Chaos, remains as trve and timeless as ever: Not our fucking death metal.” Time waits for no band.