Angry Metal Guy

Heathens // Oh, Mock the Heavens and Let the Heathens Sing
Rating: 4.0/5.0 — Definitely worth checking out.
Label: Unsigned
Websites: myspace.com/heathensband
Release Date: Out now…

The bread and butter of a heavy metal is the unsigned band. If you are patient enough to dig through piles and piles and piles and piles and piles and piles and piles and piles of shit, you will find the prototypes of up and coming bands. Bands in their infancy, but who are producing something that is heretofore unheard of. Or maybe they’ll just be doing something old remarkably well. Or maybe it’s a blending of the two, successfully putting together a sound that few have heard and being super kick ass at the derivative stuff. In any case, what I’m trying to say here is this; you’re bound to find a band that stands out after enough time reviewing underground stuff. However, knowing where to look is a bitch. So when I was directed to the South African black metal band Heathens by Lord Doom, I wasn’t sure whether I was going to like the material or not. Fortunately, Lord Doom is a man of impeccable taste.

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Iron Maiden // The Final Frontier
Rating: 4.0/5.0 — A great record…
Label: EMI
Websites: ironmaiden.com
Release Date: EU: 08.13.2010 | US: 08.17.2010

Iron Maiden is the greatest heavy metal band to ever live. Thirty years after the release of their self-titled album, they are arguably just as relevant as they ever have been—not resting on their laurels and imitating a hits jukebox, but instead touring the world playing their new material to the joy of fans everywhere. After what was a rousing success with their most recent record, the 2006 release of A Matter of Life and Death, there is actually maybe a bit more pressure on the band to produce something that is quality, memorable and, frankly, classic. Especially with the rumors floating around that this is Maiden‘s final album, spurred even further on by the fact that Steve Harris helped write every song on the record, the pressure cooker of fan scrutiny is reaching fever pitch. And so it falls to this Angry Metal Guy to try to put all of this into some sort of context; to try to listen to my favorite band with fresh ears—and I’ve come to some realizations about the band in the process. Continue reading

Bonded by Blood // Exiled to Earth
Rating: 2.5/5.0 — Re-run of the mill
Label: Earache
Websites: myspace.com/bondedbyblood
Release Dates: EU: 16.08.2010 | US: 08.10.2010

Here comes another entry into the retro-thrash movement, for better or worse. Exiled to Earth is the second album by California thrashers Bonded by Blood and much like their debut, it’s firmly rooted in the 80’s thrash movement. Back in the days of the original thrash invasion, for every top-notch band like Slayer or Exodus, there were ten sub-par, generic clones like Atrophy, Devastation and Gothic Slam. Sadly, this release falls closer to the latter category. Continue reading

Djerv // Headstone EP
Rating: 3.5/5.0 — Highly entertaining and pretty unique
Label: Katapult Music (Indie Distro)
Websites: myspace.com/djervmusic
Release Dates: August 3rd, 2010

I don’t make a real habit of reviewing an EP because EPs aren’t really considered to be a “happening” in the musical sense of the word. They aren’t an event in the traditional sense that an LP is—rarely longer than about 15 or 20 minutes it’s hardly not anything to get too excited about. But Norway’s Djerv, a combination of vocalist Agnete Kjølsrud (Animal Alpha), Erlend Gjerde (Wardruna) and Stian Kårstad of the mighty Trelldom, have created a fascinating fusion of sounds that was something that I didn’t want to pass up. Continue reading

Demonic Resurrection // The Return to Darkness
Rating: 3.0/5.0 — Fundamentally good…
Label: Candlelight Records
Websites: demonicresurrection.in | myspace.com/demonicresurrection
Release Dates: EU: 02.08.2010 | US: American release date unknown

As world metal takes the stage, something that is happening more and more frequently these days, we’re going to be seeing more of these bands coming from places where metal just hasn’t ever shown its face earlier. Demonic Resurrection, as those of you familiar with Sam Dunn’s documentary Global Metal already know, are a band from India who play symphonic black metal. The third record in a trilogy The Return to Darkness is being released (as I understand it) as the band’s first international release via Candlelight Records. That Sam Dunn is a rockstar creating machine, it turns out. Though, when it comes to Demonic Resurrection, their music speaks for itself and if you give that music a stage that myriads of metalheads have access to, it’s not hard to see how they managed to break beyond their borders. Continue reading

Gloria Morti // Anthems of Annihilation
Rating: 3.5/5.0 — Pretty darn good
Label: Cyclone Empire
Websites: gloriamorti.com | myspace.com/gloriamorti
Release Dates: EU: 30.07.2010 | US: Unknown (Import only?)

One of the best parts about being a reviewer, honestly, is getting a hold of records that you’d've never thought to buy on your own and really enjoying them. 2010 hasn’t actually had a lot of those for me. The year has gone pretty much as expected (and a little worse for certain bands, unfortunately). But one of the big disappointments has been the number of bands that I’ve gotten who I’d never heard of that just never pan out to anything. Because obviously it’s newer bands that keep things going and some of my favorite records of the last few years have been from bands that I didn’t even know existed until I got the record to review (Istapp for example, or In Mourning). Gloria Morti is one of those bands that I’d sorta gotten wind of, but never really heard before. I wasn’t sure what to expect when I received Anthems of Annihilation but I was pleasantly surprised. Continue reading

Interment // Into the Crypts of Blasphemy
Rating: 3.5/5.0 — Derivative of good, but still good.
Label: Pulverised Records
Websites: interment.se | myspace.com/intermenthorde
Release Dates: EU: 02.08.2010 | US: 08.31.2010

Here we go again. I have in front of me the new album Into the Crypts of Blasphemy by long, LONG time members of the old school Swedish death metal scene, Interment. These guys existed in the late 80’s/early 90’s alongside the forefathers of the genre like Entombed, Grave and Dismember, but other than a few demos and such, this is their first real release. So where are we going again exactly? Bear with me and all will be revealed. Continue reading

The Acacia Strain // Wormwood
Rating: 1.0/5.0 — Puts me to sleep
Label: Prosthetic Records
Websites: myspace.com/theacaciastrain
Release Dates: Out Now Worldwide (I think)

I seem to remember The Acacia Strain being an In Flames copy, but I think I must be thinking of another band entirely. Which means that I have no reference for these guys as I’ve never heard them before and I thought they were a metalcore band. Turns out, I’m wrong. Instead, they’re a deathcore band. Now, I try to not generalize about genre conventions while reviewing a band (I mean, it’s unfair to review an entire genre every time you review a band’s record), but I think that I’m starting to figure out what it is about endless breakdowns that I hate. And I’ll tell you. Oh yes, I’ll tell you. Continue reading

And Hell Followed With // Proprioception
Rating: 1.5/5.0 – Painfully medio-core
Label: Earache
Websites: myspace.com/andhellfollowedwith
Release Dates: US: Out Now | EU: 26.07.2010

Steel Druhm likes NOT this whole “deathcore thing.” There, I said it! Now, all you deathcore teen weenies can pull your collective jaws off the floor and prepare to dismiss the following review as biased, or perhaps, “reviewed in bad faith,” whatever the fuck that means. However, before you do so, kindly consider that the reason for my dislike of Proprioception, the second album by Michigan’s And Hell Followed With is way more because of how bland and average the material is and less because of its regrettable deathcore style. Sadly, this material isn’t good regardless of the genre.

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Mose Giganticus // Gift Horse
Rating: 3.0/5.0 — Sludgedoomstonersynthrock
Label: Relapse Records
Websites: mosegiganticus.com | myspace.com/mosegiganticus
Release Date: July 20th, 2010

Every now and then, a band comes along and I’m utterly at a loss for how to classify them in the official Steel Druhm Book O’ Metal [That's what you get for not using the Angry Book o' Metal Classifications™, n00b. — AMG]. Generally, this causes me anger and vexation, but I always give a nod of appreciation for the bands that resist easy classification. The latest recipient of the nod is Gift Horse, the second album by Mose Giganticus, for they have truly baffled my considerable pigeonholing acumen. They have forced even me to admit I’m stumped. Mose Giganticus is apparently a one-man entity created by Matthew Garfield, a staple of the Philly punk rock scene for some time. While some of that punk ethos is apparent on Gift Horse, this isn’t exactly a punk album. What is it then? Good question!! Let’s try to piece this puzzle together shall we?

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