Eoront - Another RealmTake a good hard look at your music collection. Go on, I’ll wait. Do you have a lot of black metal in your CD, vinyl, cassette1, or MP3 stash? If not, ignore what I’m about to say, but if you do… how much of it is of the variety that Euronymous would shit his leather trousers for? There’s a good chance that there’s not much of it because, let’s face it, black metal has become such a gimongous umbrella that anything that may have hyper-blasts, tremolo riffing, and a production that cranks the high-end up would fall into this category. Not that there’s anything wrong with it, but you gotta admit that it’s super-saturated by now. Siberia’s Eoront fall into this nebulous descriptor nicely, combining black metal ferocity with Tiamat-ish dreaminess with their second album, Another Realm.

When the formula works, Another Realm convinces you with their charm. “Two Worlds” blasts forth with some anthemic riffing by vocalist Foltath Eternum and phenomenal fills and flourishes by drummer Ephemiral Gorth. But it’s the dreamy, almost happy melodies by keyboardist Valea that stand out the most. Her melodies elevate what would normally be a run-of-the-mill black metal tune into a work of beauty. Elsewhere, “The Glow” radiates with a shimmery opening, slowly guiding you to the song’s blackened middle before easing you back into slumber. Another Realm shines in this aspect, as every song has about three-to-four minutes of solid, entrancing music within them.

That’s all fine and dandy until you realize that every song also reaches into the seven-to-ten minute range, and all becomes unwell in Dreamland. Opener “The Rain” takes a good three and a half minutes to get itself going, and the payoff, while not bad, doesn’t exactly justify the time required to get there. A nifty guitar melody in the middle of “The Sea” loses its niftiness when it’s beaten to within an inch of its life for almost half the song, no matter how much awesome double-bass drumming or airy keyboards you drown in it. The biggest offender lies with “Dreamcatcher.” While pleasant, it doesn’t really go anywhere of note and it drags on for over ten minutes.

Eoront 2017
Not helping matters is the muffled production. Valea’s keyboards take precedence over the majority of the instruments, but when she’s not applying some magical melodies, she relies on long chords and simple patterns. Eternum’s guitars and Gorth’s drums took the biggest hit, with the former feeling drowned out by the keyboards and Eugene’s distorted bass, and the latter’s kit sounding muffled, especially in the cymbal work. Combine this with songs that don’t know when to quit, and you have a recipe for a painfully long listening ordeal that could have been great.

But I refuse to give up hope on Eoront. With a better mix and some tighter song structures, they could definitely lead the pack in the same atmospheric black metal arena that Emperor and Opeth left behind. As it stands, though, try before you commit. Dreamy, but frustrating.


Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Code666 Records
Websites: eoront.bandcamp.com | facebook.com/Eoront
Releases Worldwide: June 16th, 2017

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  • rumour

    “…anthemic riffing by vocalist Foltath Eternum and phenomenal fills and flourishes by drummer Ephemiral Gorth…” — I will never tire of the black metal names, either, 25 years and change down the road…very well-written and entertaining review, as always, Grymm.

    • basenjibrian

      Ephemiral Gorth is my new favorite BMN (black metal name).
      I actually keep a list of “Awesome Names” that I run across in work. Some of the highlights include “Somboon Vongschenphen” “Niles Fleege”, and, from a public hearing meeting notice, “Jojola”. Just “Jojola”

      • rumour

        Jojola Jorules, mang. I like it.


        I regret looking up “gorth” in the urban dictionary.

    • Juan Manuel Pinto Guerra

      I’m surprised the bass player isn’t called Dandruff Diarrhea.

  • Thatguy

    2.5 sums this up. Nothing wrong with it, but no reason to love it. Thanks, Grymm.

  • Juan Manuel Pinto Guerra

    So… this is not Black Metal of the variety that Euronymous would shit his leather trousers for.

    • rumour

      Not even with a handy dandy time machine to the early 90s.

    • HeavyMetalHamster

      Black metal imodium.

  • Reese Burns

    I think the saturation of the black metal market is a good thing. It’s nowhere near the level of death metal, and maybe it makes me a pleb, but I feel like the overwhelming majority of black metal being produced nowadays is pretty good. Plus the myriad of different subgenres helps to keep things interesting.

  • Cris Vel Med

    2.5 says everything, some will like the album, some will not, i like the cover, reminds me a bit of Nile…

  • Ta2dlam

    Am I the only one that thinks every one of these waif-thin Siberians needs a good meal? They could actually be super-models with their gaunt, haunted faces and hanger-like shoulders for draping overpriced “clothing” should the band not make it.

  • Sophocles

    I ‘ll just skip this and wait for the new Duskmourn review

  • IrMa2119 .

    Too much water in this review. Little more than style. The album’s epic. Built around the world of russian poetry, nailing it, what a win!