Here’s something to think about… If Darkthrone‘s Transilvanian Hunger released today, would it make the same impression it made back in 1994? More importantly, would it get the same reception nowadays that it got in the past? Birthed in 2007, Ignis Gehenna was the devil-worshiping brainchild of Nihilifer (Erebus Enthroned) and Archfiend, the duo releasing a single crude demo (Ecclesia Diabolus) to lukewarm reception and an EP (Revelations of Sinister Rebirth) just 2-years later. With a lengthy hiatus, Ignis Gehenna is set to make a return. Peddling Darkthrone-inspired Luciferian black metal with a smattering of thrash and just enough melodic death to titillate, Baleful Scarlet Star is the sole achievement of Aussie vocalist Nihilifer after his relocation to a remote and isolated part of Australia, where I’m led to believe his creative vision was allowed to flourish. It did not.

Where Naglfar rises with the chaotic force of pandemonium, Ignis Gehenna takes the opposite path. “Serpent Oracle” develops slowly and deliberately, cultivating the prickle of anticipation, exacerbated with each sustained note. Though the melody isn’t particularly unusual for what one expects from a black metal track, it did give me a window into Ignis Gehenna‘s potential. Around a minute into the song, the mood transitions into one of blasting black metal, more urgent and deliberate in nature, hinting at the style of Naglfar. Nihilifer’s vocals are delivered initially with blasting attack, before shifting into a more rasping and unintelligible croak that’s easily comparable to a watered-down blend of Mortuus (Marduk) and Tas Danazoglou (Satans Wrath). “Serpent Oracle” quickly establishes itself as the best and most memorable track on the Baleful Scarlet Star and plenty of aggressive shifts and changes keep the song interesting and on track. That said, it’s around the mid-section of this lengthy 8-minute undertaking that you realize that Ignis Gehenna have unloaded their entire bag of tricks and instead of wrapping things up as they should, they’re going to keep re-using each lurching break and each melodic interlude – the term flogging a dead horse comes to mind.

While none of what follows is bad or in any way unlistenable, there’s the nagging feeling that it’s all very unnecessary. The high points of “Baleful Scarlet Star” are the few moments when Nihilifer’s vocals hit the lower register taking on a Loss-like depth; where “Edict of Blood” draws so very obviously from Darkthrone‘s Transilvanian Hunger; where “Litany unto Thanateros” transitions from Swedish-style black metal schizophrenia, to become counterbalanced by jangly Cerekloth-inspired death doom. Another is where “Anamnesis” circles and loops back to trusty Darkthrone inspiration, this time however incorporating elements of early Amorphis-style melodic death.

Here at AMG we listen to an album many many times before even putting pen to paper. These repeat listens can end up a double-edged sword. Not only can they uncover hidden gems of creativity, but they can also magnify the mundane and the filler. Take the title track for example: there’s a natural break around the mid-point, seemingly just the spot where you’d expect the song to begin wrapping up. It does not. Or “Edict of Blood,” where repeat listens only intensify thoughts of how non-essential the track is. “Melas Oneirol” follows on, playing out with such similarity that the two tracks feel as though they’ve played on for an eternity or longer. Baleful Scarlet Star comes to a close with “Anamnesis,” and I’m left with just one question: what was the point? Ending Baleful Scarlet Star with a limp instrumental, that amounts to no more than an introduction to songs that were never included, ends the album on a faltering and strange note.

I’m led to understand that at the time of release Ignis Gehenna had two final tracks that were held back because of their unfinished nature. These final journeys may go a ways to finish off Baleful Scarlet Star or they could go on to add to an album that already seems overly long and bogged down with filler. Only tie will tell, as a follow-up album including the outstanding tracks will release in 2018. Unfortunately the grandiosity, concept and complexity of Baleful Scarlet Star was lost on me. Not a great start to 2017.


Rating: 2.0/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Seance Records
Websites: facebook.com/ignisgehenna
Releases Worldwide: January 9th, 2017

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  • Is that Edward Squidwardhands?

  • That Cthulhu hand freaks me out!

  • The Unicorn
    • This is the best thing there ever was or ever will be.

      • Juan Manuel Pinto Guerra

        Who do I have to bribe/blackmail/threat to get this comment featured?

    • Perfection!

    • Eli Valcik

      Hahaha I love it

    • The Unicorn

      Featured comment? Awwww shucks…

      • Juan Manuel Pinto Guerra

        You earned it!

  • Wilhelm

    If I had a squidhand, I’d never leave the house.

    • Ferrous Beuller

      If I had a squid hand, I’d never leave the bedroom…

      • Reese Burns

        I predict a trip to HR in your future..

        • [not a Dr]

          HR will put that squid hand to good use.

          • Óðinn

            Release the Kraken.

  • Carlos Marrickvillian

    Be interested to know the remote part of Australia that was the muse for this…I’m still interested to check this out even though you were underwhelmed

    • Alex

      Tassie, I believe

  • JL

    The uploaded track is good, and makes me think that album deserves more than a 2.

    • Tofu muncher

      Yep, I like the embedded track. And it’s DR10!

      • Embridioum

        The Séance Records VBR download from Bandcamp is DR 12! I measured it myself and the last track even reaches 14!

  • AgonMcDuck

    Wait, was this released in 2016 or 2017?

    • I’m still in denial that 2017 is a thing.

      • Carlos Marrickvillian

        Has to be better than 2016

  • Surely you mean flogging a dead unicorn? http://uploads.disquscdn.com/images/749451f55853ceab31a1d852ef20e09d4d3547bcd19130b4f8b7bbb4b748fb2c.jpg
    I’ve come to like this album myself, although it’s not remarkable in any way.

  • Jason

    My brain is having trouble pronouncing Nihilifer. Is it Nihil-IFer, with a short “i” sound or Nihi-LIFEr, with a long “i”?