1.5

Kadaverficker – Superkiller (A Musical Journey Between Life and Death) Review

Kadaverficker – Superkiller (A Musical Journey Between Life and Death) Review

“After reviewing a slew of bigger releases and personal favorites in recent months, it’s nice to reconnect with the underground and plunge into the dank, mysterious corners of the promo sump. In doing so I stumbled across Germany’s Kadaverficker and their fifth full-length album, Superkiller (A Musical Journey Between Life and Death). Kicking around the traps since forming in 1993, Kadaverficker released a hefty collection of demos, splits, compilations, and various other shorter-form releases, eventually dipping into full-length territory on 2012’s Exploitation Nekronation. What can you expect on an LP that leaves nothing left in the tank across a whopping 71-minute runtime.” Ficking around,

Shade Empire – Sunholy Review

Shade Empire – Sunholy Review

“Listening to Shade Empire’s discography is as perplexing as it is enlightening. The early albums demonstrated a band finding its feet and establishing an epic, symphonic black metal sound that charmed as much as it impressed. Although ostensibly a black metal band, Shade Empire’s sound has changed so radically from its earlier days that it’s now more symphonic prog.” Empire in the shade.

Till the Dirt – Outside the Spiral Review

Till the Dirt – Outside the Spiral Review

Till the Dirt is comprised of Atheist members Shaefer, guitarist Jerry Witunsky, and bassist Yoav Ruiz-Feingold, as well as Soreption guitarist Ian Waye and Fermentor drummer Dylan Marks. With an Atheist-heavy lineup, what can we expect from Till the Dirt? Well, death metal with nu-metal was not on my Bingo card.” Things that should stay buried.

Wooden Throne – Eternal Wanderer of the Night Sky Review

Wooden Throne – Eternal Wanderer of the Night Sky Review

“Some songwriters have ‘it.’ The ability to create meaningful, compelling music regardless of genre. Mikko Lehto is one such man. From folksy majesty and blackened ferocity to doomy potency, his work, especially October Falls, is well-loved in these parts. 2021 saw the release of more of his black metal in the form of Wooden Throne. Eternal Wanderer of the Night Sky represents his second endeavor under this project, promising something less earthly but more classical with a bigger piano presence in the soundscape.” Meandercore.

Dun Ringill – 150 – Where the Old Gods Play – Act 1 Review

Dun Ringill – 150 – Where the Old Gods Play – Act 1 Review

“I’ve always been supportive of bands branching out a little bit from their comfort zones to stretch their limbs, check out new haunts, or just freshen up their catalog a tad. Sometimes, some peanut butter needs to be added to your chocolate to make things lively and exciting. So when Swedish doom metal sextet Dun Ringill, a band I’ll admit to never having heard before, decided to add some progressive elements to their particular brand of folk doom, well… I was intrigued.” Dun and done.

Progenitor – Eldritch Supremacy Review

Progenitor – Eldritch Supremacy Review

“While black metal is not my go-to, I find myself from time to time eager to discover the next blackened diamond in the rough. Enter Washingtonians Progenitor. With an Emperor-inspired logo and hailing from the same gray, Pacific Northwest climes as fellow black metallers Agalloch, it seemed reasonable to assume that the Progenitor gents had, at least on paper, the influences (and rainy weather) needed to produce a solid release.” Wet, moldy, and mossy.

Signs of the Swarm – Amongst the Low & Empty Review

Signs of the Swarm – Amongst the Low & Empty Review

“When you’re Signs of the Swarm, and the last ten years have been one big battle with PR, you can finally breathe after 2021’s impressively solid Absolvere. Shady human beings have been booted and one solid album free of allegations in, the Pittsburgh now-quartet can instead focus on being terrible for being a deathcore band.” Goals.

Eternity – Mundicide Review

Eternity – Mundicide Review

“I invite you to observe the album artwork for Eternity’s third record, Mundicide. I was immediately struck by its painfully and laughably literal depiction of humanity’s interaction with its planet, especially with the cute little arms physically sticking out the earth. In fact, it was for the reason of the art that one of my esteemed colleagues chose this record for my review. Eternity proffer Norwegian black metal with roots intertwined with black metal’s innovators,” Malaise is kvlt.

Artificial Sun – The Giants Collapse Review

Artificial Sun – The Giants Collapse Review

Artificial Sun is a quartet from Athens, Greece, picking up where its previous short-lived incarnation Trigger left off, sporting a fusion of groove and metalcore with their debut The Giants Collapse. Expect bouncy riffs, technical leads, energetic drumming, vitriolic and soothing vocals, and nice moments of experimentation to go down slow.” Fake sun and old djent.

The Modern Age Slavery – 1901 | The First Mother Review

The Modern Age Slavery – 1901 | The First Mother Review

“Remember when deathcore was exciting and fun? Pepperidge Farm remembers. Even the dead horse I beat to make that joke remembers. Back when you gals could do the side part and we all wore Etnies without a second thought, folks like Whitechapel, Suicide Silence, and Carnifex dominated the iPod playlists of Warped Tour patrons who were too edgy for Chiodos or AFI. While the death metal bastards had been eviscerating and slicing and dicing for years at that point, putting them to breakdowns just hit the youths different, y’know? Well, Italian deathcore veteran act The Modern Age Slavery is here to make you aware of social issues and do so by channeling what it feels like to be trampled in the mosh pit.” Slave rages.