On September 4th, Iron Maiden released its 16th studio album. This new platter is a double-disc monstrosity by the name of The Book of Souls, and now that I’ve received my physical copies, I’m going to be re-listening to it a dozen times with lyrics in hand. So, while we’re waiting on this I’m taking advantage of the moment to do something I’ve wanted to do for a very, very long time: a huge Iron Maiden retrospective, spanning the band’s entire studio discography.
Are you not entertained!?
“The name “The Autumn Offering” evokes the mental image of a hooded cultist bent down on his knees, holding up a platter of orange, rotting leaves as a leafy sacrifice of some sort to some leaf-munchin’ goat demon. But as a band that was once signed to Jamey Jasta’s Stillborn Records, The Autumn Offering is hardly obsessed with the environment or the occult.” Happy Metal Guy goes back to 2006 to regale us with tales of quality metalcore. Fairy tales maybe? You make the call.
It’s hard to make this kind of broad list, I just want to say that from the get-go. How do you do this? Do you choose your favorites, or do you choose the genre defining records? Because saying, for example, that some of the following records are really genre defining wouldn’t be true. On the […]
Talk about a long-suffering, unheralded and unsung band! Tarot has been slogging through the metal trenches in relative obscurity outside of their native Finland since 1986. For many non-Finnish folk (myself included), Tarot was an unknown quantity until lead singer and founder Marco Hietala joined up with Nightwish in 2002 for their Century’s Child outing, thereby drawing much needed attention to his primary recording outfit. It has been nearly four years since 2006’s Crows Fly Black, but finally the metal underdogs of Tarot are back in action with their eighth album, Gravity of Light.
