3.0

Apparition – Disgraced Emanations from a Tranquil State Review

By Steel Druhm on March 21, 2024 in Reviews, Death Metal, 35 comments

“As I get older and hopefully wiser, I find myself wanting life to become simpler and less cluttered. When it comes to my death metal, I want more caveman idiocy with a greater emphasis on scuzz, murk, and swamp. Based on these sage guiding principles, Apparition’s sophomore opus Disgraced Emanations from a Tranquil State seemed a safe flyer for me to grab out of the promo sewer. Hailing from the City of Angels, their sound is anything but heavenly, ripe as it is with the ghastly cavern creeping of Incantation and early Tomb Mold.” Swamp n’ pomp.

DragonForce – Warp Speed Warriors Review

By Eldritch Elitist on March 20, 2024 in Reviews, Power Metal, 70 comments

“We’ve all had that moment when we hear a new single from a band we love and think “well, maybe that’s just the worst song from the album!” In the case of “Doomsday Party,” I could not afford DragonForce and Warp Speed Warriors such optimism. Sure, Napalm Records releases are often heralded by absolute stinkers in an apparent gamble at mass appeal, but with the British power metal wanksters’ ninth record arriving on the heels of what was easily the band’s worst showing to date, my thin hopes for a makeup album quickly disintegrated.” Dragon, why do you cry?

Defect Designer – Chitin Review

By Dolphin Whisperer on March 20, 2024 in Reviews, Death Metal, 39 comments

“Where do you even start with a band like Defect Designer? Part Trollfest, part Diskord—one fewer part now that bassist Eyvind Wærsted Axelsen has moved on since his brief participation on 2022’s blasting EP Neanderthal—and three parts weird, this eclectic Russian-by-way-of-Norway export hasn’t defined one singular sound for itself over the years.” Genre inwasion.

Kilter/Andromeda Anarchia/Growlers Choir/Seven)Suns – La Suspendida Review

By Dear Hollow on March 19, 2024 in Reviews, Death Metal, 48 comments

“Never before had I met a Promo God-designated genre-tag so perfect: “silliness.” La Suspendida is a wildly experimental Silent Pendulum-backed collaboration of four artists – and I’m not gonna pretend I know each of the act’s respective history or discography. Mostly based in Brooklyn, Kilteris a jazz metal trio featuring Imperial Triumphant drummer Kenny Grohowski, Andromeda Anarchia is an opera soprano and also a member of the opera/black metal Folterkammer project, the Growlers Choir is a Montreal-based group of metal vocalists, and Seven)Suns is a “dystopian” string quartet dedicated to translating metal to strings.” Gang’s all here!!

Judas Priest – Invincible Shield Review

By Steel Druhm on March 13, 2024 in Reviews, Heavy Metal, NWOBHM, 164 comments

“A new Judas Priest album is going to be the most anticipated moment of any year for olden metal folks like yours Steely, unless Black Sabbath or Iron Maiden are also dropping something (and probably even then). 2018s Firepower was a shockingly spry and battle-ready album that showed there was a lot of life left in this metal clergy, and it gave fans reason to expect good things from 20th album, Invincible Shield.” Shield wall or shield fall?

Skeletal Remains – Fragments of the Ageless Review

By Steel Druhm on March 7, 2024 in Reviews, Death Metal, 32 comments

“In the realm of reliable old school death metal, Skeletal Remains looms large. Over their decade-plus existence, they’ve provided quality, high-energy brutality with strong similarities to classic Morbid Angel and pre-prog/pre-AI fetish Pestilence. Albums like Condemned to Misery and The Entombment of Chaos brought the bat and the boots to the beatdown and gave fans everything they could want. They’re masters of the basic death metal experience and don’t dabble too much with their sound from album to album.” Morbid bones.

Fathomless Ritual – Hymns for the Lesser Gods Review

By Ferox on March 5, 2024 in Reviews, Death Metal, 19 comments

“One develops a strange relationship with the concept of “accessibility” in this gig. Take Fathomless Ritual’s debut Hymns for the Lesser Gods. This slab of murky death metal plunges you right into the maelstrom with furious opening track “Hecatomb for an Unending Madness.” The rest of the album is full of riffs that land like an oddly shaped object dropped from a third-story window: they bounce around unpredictably, and if you’re not careful they might just hit you in the face. My point is, no one will play Hymns for the Lesser Gods as the soundtrack to a spin class. Why, then, does the phrase “like a more accessible Demilich” recur in my listening notes?” Fathomless accessibility.

I Am the Intimidator – I Am the Intimidator Review

By Dr. A.N. Grier on March 1, 2024 in Reviews, Heavy Metal, Thrash Metal, 112 comments

“Many music genres (metal, in particular) do love a good concept album. Be it a horror story, Star Trek and Lords of the Rings smut, or the tribulations of Spawn, metal bands (and their fans) can’t seem to get enough. You think you’ve heard and seen it all until you delve into the one-off absurdity of I Am the Intimidator. Never in my life did I expect to be reviewing a self-titled release whose concept has coined the term ‘NASCAR Metal’ in the festering halls of AMG.” Speed kills.

They Came from Visions – The Twilight Robes Review

By Doom_et_Al on February 29, 2024 in Reviews, Black Metal, Folk Metal, 28 comments

“I’ve always found the notion of “folk horror” to be altogether more ominous and scarier than psychopaths stalking teenagers. Rural settings, pagan beliefs, blood sacrifices, normal people committing terrible acts in the name of terrifying superstition … this is all deeply compelling stuff. They Came from Visions, an anonymous Ukrainian black metal outfit, clearly agrees.” Fear wears a Snuggie.

Firewind – Stand United Review

By Holdeneye on February 28, 2024 in Reviews, Heavy Metal, Power Metal, 30 comments

“When I pulled reviewing duty for Firewind’s self-titled release way back during the bizarre spring of 2020, I wasn’t prepared for how hard the record was going to hit me. Aside from the band’s debut and a handful of tracks throughout Firewind’s discography, I’d never really been grabbed by their sound, so when Firewind arrived on-scene with the gnarly vocals of front man Herbie Langhans alongside some of Gus G’s tightest songwriting ever, it managed to land a sucker punch right in my sweet spot.” Hot winds blow warmly.