3.5

Austere – Beneath the Threshold Review

By Dear Hollow on April 5, 2024 in Reviews, Atmospheric Black Metal, Black Metal, 32 comments

“Austere’s third full-length, and first album in fourteen years, was one of my biggest disappointments of 2023. Corrosion of Hearts was listenable as a pleasant form of DSBM, but showcased a unique and legendary act fall into the tropes of the genre. It felt as though depressive black metal moved on while Austere stayed stuck in the past, and I’ll be the first one to admit that expectations were unfairly high for this duo. Austere on To Lay Like Old Bones is no longer – the Austere of now is more important. In many ways, this is what makes Beneath the Threshold even more crucial.” Stoic refits done real fast.

Kvadrat – The Horrible Dissonance of Oblivion Review

By Thus Spoke on April 2, 2024 in Reviews, Black Metal, Death Metal, 33 comments

“Back in June 2021, when my Instagram page was fresh-faced and non-AMG-affiliated, I reviewed Kvadrat’s EP Ψυχική Αποσύνθεση. Struck by its mesmerizing blend of atmospheric, dissonant death and black metal, I bemoaned its truncated length as I was sucked in by what I then described as “a gripping black hole of sound.” With the vividness of this experience having faded into a memory of “that really great Greek EP,” everything came flooding back upon receipt of a DM from the (sole) individual behind Kvadrat, Ivan Agakechagias, asking if I wanted to review his upcoming debut.” Greek tragedy.

Glyph – Honor. Power. Glory. Review

By Holdeneye on April 1, 2024 in Reviews, Power Metal, 46 comments

“Made up of current and former members of Skelator, Greyhawk, Gatekeeper, and Ravenous, Glyph brings together some of my favorite traditional/power metal musicians from recent years as they throw their hat into the space fantasy ring. Very much channeling Gloryhammer, Glyph shows shades of Sabaton and Alestorm as they offer up some simple modern power metal.” Power is as power does.

Vorga – Beyond the Palest Star Review

By Kenstrosity on March 26, 2024 in Reviews, Atmospheric Black Metal, Black Metal, Melodic Black Metal, 61 comments

“Ah, space. How little we know of thee. How awestruck we are by thine crushing beauty. It’s no surprise, as I noted in my review for Vorga’s debut record, Striving Toward Oblivion, that artists across various fields and mediums draw inspiration from the immense, unknowable thing that is space. With such a deep well to draw from—as much in terms of raw data and information as in fiction and imagination—I doubt even the relative microcosm of black metal could ever exhaust this rich and ever-expanding resource. Picking up right where they left off in 2022, German melodic black metal quartet Vorga blast off into the deepest reaches of inky blackness.” MOARGA Vorga.

Stress Angel – Punished by Nemesis Review

By Steel Druhm on March 25, 2024 in Reviews, Death Metal, Thrash Metal, 30 comments

“2021 saw Stress Angel belch forth out of Brooklyn with a hideous sound marrying Autopsy-core with punky d-beatery and crust-encrusted doom. Bursting Church was a slippery, slimy, nasty piece of work and the duo behind it was effective at throttling throats and sacrificing goats. 2024 comes around and the gruesome twosome returns with sophomore outing Punished by Nemesis, and with it a more expansive palette and grander vision.” Punishment is overdue.

Weston Super Maim – See You Tomorrow Baby Review

By Dear Hollow on March 23, 2024 in Reviews, Deathcore, Djent, Mathcore, 52 comments

“These guys describe their sound as “imagine if Meshuggah couldn’t count,” describing a blend of the mathy pioneers’ wonky rhythms, Will Haven’s dissonance, Crowbar’s riffs, Car Bomb and Humanity’s Last Breath’s boundary-pushing technicality.” Baby’s got back (hair).

Dödsrit – Nocturnal Will Review

By Thus Spoke on March 22, 2024 in Reviews, Black Metal, Melodic Black Metal, 44 comments

“It’s not like I really need any convincing, but it’s great when an album comes along and reminds me that black metal is, in fact, fucking fantastic. 2023 was a comparatively dry year for the genre, especially as far as the more straightforward, unadorned variety was concerned. 2024 is already making up for it. Swedish/Dutch four-piece Dödsrit are one of the voices in the scene quietly but confidently proving how effective some no-frills (crust-adjacent) melodic black metal can be.” Black is the olde black.

Mastiff – Deprecipice Review

By Cherd on March 21, 2024 in Reviews, Grind, Hardcore, Sludge, 17 comments

“No one plays sludgy hardcore grind quite like the UK’s Mastiff. Not that many people play sludgy hardcore grind to begin with, but if they’re out there, they don’t play it like these Kingstun upon Hull lads. True to their canid namesake, which, if you saw them casually out for walkies in your neighborhood, would illicit a “Jesus Christ, that’s a big dog” exclamation, Mastiff shock with the weight and size of their sound.” Toothsome and clawsame.

The Neptune Power Federation – Goodnight My Children Review

By GardensTale on March 14, 2024 in Reviews, Hard Rock, Heavy Metal, Psychedelic Rock, 45 comments

“I have a soft spot for these Australian weirdos. Memoirs of a Rat Queen bowled me over back in 2019 and I still spin “Rat Queen” and “I’ll Make a Man Out of You” regularly. Follow-up Le Demon De L’amour didn’t quite tickle my fancy the same way, though, with an overall less impactful and memorable tracklist that contained only one real banger. It seems love songs didn’t capture the off-kilter theatrical vibe where The Neptune Power Federation is strongest. The concept for Goodnight My Children is fairytales and bedtime stories, which can really go either way. Underwhelming sweetness or a wonky wonderland, what does the Imperial Priestess Screaming Loz Sutch have in store for us this year?” Tell us a story. Will ya? Will ya?

The Dread Crew of Oddwood – Rust & Glory Review

By Twelve on March 12, 2024 in Reviews, Folk Metal, Not Metal, 38 comments

“We’re no strangers to “pirate metal” ’round these parts, are we? There’s just something about the enduring and relatable ideals of pirate-themed music that we at Angry Metal Guy universally love, commenters, readers, and writers alike. I’ve opened my review with this entirely uncontroversial statement as a way to share with you my own excitement when I received the promo copy for Rust & Glory, the fifth full-length release for the U.S.-based pirate musicians that make up The Dread Crew of Oddwood.” YAAARR’s revenge.