Abbath

Asphagor – Pyrogenesis Review

Asphagor – Pyrogenesis Review

“Fire seems to be a popular theme in the black metal pantheon. Whether it be a metaphorical representation of birth or rebirth, a literal representation of destruction, or just a simple reference to Hell, Satan, or Varg, fire is a lifelong staple. Thankfully, from such a primal element of our Earth and in our hearts springs a bottomless well of inspiration for these bands, and Austria’s Asphagor are no exception. With fourth LP Pyrogenesis, the epic black metal quintet burn with the passion of a thousand suns, and they want you to burn with them.” Burn after hearing.

Abbath – Dread Reaver Review

Abbath – Dread Reaver Review

“As you can see from the atrocious cover art, Abbath continues to prove this is his band. And he’s starting to show that with the same absurd vigor that garners album covers from Yngwie Malmsteen. And when I saw that Abbath chose to mix Dread Reaver himself, my fear factor increased double-fold. And on first listen, I knew Dread Reaver was in trouble.” Bob and reave.

Goden – Beyond Darkness Review

Goden – Beyond Darkness Review

“We’ve discussed revivals before, and tributes aplenty. Just look at Sweven’s Morbus Chron tribute–kind of a bit of both, and to mixed reactions. The list goes on: Black Sabbath and Heaven and Hell; Immortal and Abbath. Musicians looking to revive an old project under a new name must tread lightly, as we don’t want Morbus Chron 2.0, for example, but something that acknowledges the past while taking a fresh step forward. Today’s topic of discussion, New York’s Winter, a relatively quiet 90’s death metal act that nevertheless influenced the development of the death/doom niche with its murky and sprawling tunes.” Winter is coming back.

Sarke – Gastwerso Review

Sarke – Gastwerso Review

“Since 2016’s Bogefod, Sarke has been on a steady incline that includes clean/acoustic guitars, interesting key work, and female vocals. In and around it all, they use aggressive Hellhammer/Celtic Frost moments, cold first-wave tremolo pickings, and plenty of slumbering sinisterness. Bogefod and its follow-up, Viige Urh, were fresh cuts that sounded like siblings born moments apart from one another. But where is Gastwerso’s branch on this family tree? Is it the birth of triplets or is this a xenomorph C-section?” Horrific lineage.

Abbath – Outstrider Review

Abbath – Outstrider Review

Abbath needs no introduction, but Outstrider does. In the three years after his well-received eponymous solo debut dropped, Abbath has replaced his entire band and recorded a new record, which comes to us in the form of Outstrider. Predictably, this does little but change the window dressing of the record, as Abbath dominates the proceedings here as before, both visually and musically. Outstrider feels even more like an Abbath record than Abbath did. Abbath!

Nocturnal Breed – We Only Came for Violence Review

Nocturnal Breed – We Only Came for Violence Review

Nocturnal Breed are everything I’ve ever wanted to be in this life. They’re old-school, they don’t give a shit about anybody or anything, and they’re Norwegian. Making their start with ‘97’s Aggressor, these hateful sonsabitches haven’t changed a goddamn thing in over twenty years. Their albums are way too long, there’s no fluidity from one track to the next, and they’re still kicking the combination of Bathory, Venom, and Motörhead mixed with first-wave black metal and thrash.” Breed in the night.

Helheim – Rignir Review

Helheim – Rignir Review

“As I sit here with Helheim’s newest album, Rignir, two things occur to me. First, Helheim is the most-consistent band I know. Not only are all their albums good or great but they’ve been releasing a new one every 2-3 years since 1995. Second, I’ve been at AMG far longer than I realized. Having first reviewed this black/Viking metal band back in 2015, Rignir is now the third time I’ve penned some words on their music.” The olde and the reliable.