American Metal

The Dread Crew of Oddwood – Rust & Glory Review

The Dread Crew of Oddwood – Rust & Glory Review

“We’re no strangers to “pirate metal” ’round these parts, are we? There’s just something about the enduring and relatable ideals of pirate-themed music that we at Angry Metal Guy universally love, commenters, readers, and writers alike. I’ve opened my review with this entirely uncontroversial statement as a way to share with you my own excitement when I received the promo copy for Rust & Glory, the fifth full-length release for the U.S.-based pirate musicians that make up The Dread Crew of Oddwood.” YAAARR’s revenge.

Stuck in the Filter: January’s Angry Misses

Stuck in the Filter: January’s Angry Misses

It’s becoming apparent that our filtering systems work quite well! The crew has done a fine job pulling filth from the workings and releasing the pressure to the system. A second too late and the toilets would have backed up.

Volcandra – The Way of Ancients Review

Volcandra – The Way of Ancients Review

“My roommate and good friend once got to meet Kentucky melodic black metal troupe Volcandra at work while I was stuck doing something infinitely less fun, I’m sure. I know this because she, familiar with how deeply entrenched I am in the metal scene, messaged me to ask, ‘Hey, do you know this band called Volcandra?’ I, of course, responded, ‘Yeah, they’re pretty good! Why?’ She replied, to paraphrase, ‘Yeah, I just got to meet them, and they seem really cool and nice.’ Imagine my thinly veiled jealousy as I came back with, ‘Oh that’s super cool!'” Womp womp.

Skeletal Remains – Fragments of the Ageless Review

Skeletal Remains – Fragments of the Ageless Review

“In the realm of reliable old school death metal, Skeletal Remains looms large. Over their decade-plus existence, they’ve provided quality, high-energy brutality with strong similarities to classic Morbid Angel and pre-prog/pre-AI fetish Pestilence. Albums like Condemned to Misery and The Entombment of Chaos brought the bat and the boots to the beatdown and gave fans everything they could want. They’re masters of the basic death metal experience and don’t dabble too much with their sound from album to album.” Morbid bones.

Isenordal – Requiem for Eirênê Review

Isenordal – Requiem for Eirênê Review

“There’s one music quality I treasure above all else: dynamism. Without conscious thought I find myself drifting towards music in the promo pool promising varied or creative music. In the case of Washington’s Isenordal, the one sheet for their third full-length release, entitled Requiem for Eirênê, described music fusing funeral doom, black metal and neofolk. Few albums pledge such dynamism so I was eager to hear their take on this blend, and discover whether it would be as exciting as the description.” Dynamism or death.

Exhorder – Defectum Omnium Review

Exhorder – Defectum Omnium Review

“With this year’s Defectum Omnium, it’s clear Exhorder aren’t finished proving their relevance and reinventing themselves in the eyes of their dedicated fanbase. But, with such a strong outing five years ago, will Defectum Omnium be a step forward for the band or will it be, well… a defectum?” Omnium Blatherum.

I Am the Intimidator – I Am the Intimidator Review

I Am the Intimidator – I Am the Intimidator Review

“Many music genres (metal, in particular) do love a good concept album. Be it a horror story, Star Trek and Lords of the Rings smut, or the tribulations of Spawn, metal bands (and their fans) can’t seem to get enough. You think you’ve heard and seen it all until you delve into the one-off absurdity of I Am the Intimidator. Never in my life did I expect to be reviewing a self-titled release whose concept has coined the term ‘NASCAR Metal’ in the festering halls of AMG.” Speed kills.

Darkest Hour – Perpetual | Terminal Review

Darkest Hour – Perpetual | Terminal Review

“How deep is your backlog of albums you intend to give a full spin sometime, but you never get round to it? I couldn’t even begin to tally mine. One of the albums that has languished in this limbo is Godless Prophets & the Migrant Flora, the previous release from melodeath veterans Darkest Hour. I remember liking the slice I tried, but with so much to listen to and so little time I failed to give it my full attention. Grymm sure loved it, though, and in his absence, I was more than happy to step up and finally give the band the attention they deserved from me.” In the darkest hour, we cried more, more, MOAR!

Stygian Crown – Funeral for a King Review

Stygian Crown – Funeral for a King Review

“The clamor of zhangu, taiko, ahuli, tabor—even the timpani in a modern orchestral context—the steady hammering of the battlefield finds a comfort, an attachment to the mallet metronome of such simple instruments. In memory of sorrow, the rhythm of death metal through one of its most bass-rumbling pioneers, Bolt Thrower, finds that war-like march not just in pounding kicks but also weighted guitar harmonies and bass-throttled grooves that stir the warrior’s heart. Stygian Crown in their idiosyncratic expression of the metal arts embodies in part that low-end fueled, sword-rattling thunder. But as the title Funeral for a King may imply, and as the Steel One himself has explored before, Stygian Crown doesn’t just riff, they doom. Oh, do they doom!” Crown Thrower.