American Metal

Morta Skuld – Creation Undone Review

By Steel Druhm on February 22, 2024 in Reviews, Death Metal, 31 comments

“Wisconsin’s Morta Skuld have been dragging their nasty cave knuckles for so long, even their fingerprints have worn off. In existence on and off since 1990, these old school warriors have been a fairly reliable if not super prolific source of no-frills, beefbrained death metal. Their early works exuded an oily, swampy charm with a sound ripped from the classic Necrophagia and Obituary playbooks. Later albums like Wounds Deeper Than Time and 2020s Suffer for Nothing were much more furious, pummeling affairs, with elements of Vader, Malevolent Creation, and Jungle Rot in their flavor profile.” Come (violently) undone.

Job for a Cowboy – Moon Healer Review

By Saunders on February 21, 2024 in Reviews, Death Metal, Progressive Death, Progressive Metal, 69 comments

“Arizona’s Job for a Cowboy garnered significant buzz and division within the metal realms when they dropped their 2005 debut EP, Doom. The brawny slab of deathcore impressed those inclined, before gradually transitioning into a modern death metal act with tech leanings, largely dispensing with the core influences. Fairly nonplussed by the band’s earlier material, Job for a Cowboy’s pivoting career trajectory blindsided me on fourth LP, Sun Eater, released nearly a decade ago. Signature technical proficiency, testosterone-charged aggression, and bludgeoning, slickly produced modern death remained, however, the unexpected integration of progressive structures and complex compositions, offering a hefty thump of aggression and brutality, largely impressed.” Cow tipping, gun slinging.

meth. – Shame Review

By GardensTale on February 20, 2024 in Reviews, Mathcore, Noise, 24 comments

“A fundamental part of being human is our never-ending growth and education. When last I reviewed meth. I was bowled over by the barbed dissonance and big noisy riffs. Mother of Red Light was a filthy brick of misanthropic noisecore that got me on challenging textures and sheer violent rage moreso than on the particulars of their songwriting. Since then, I have grown and I have learned. I cut my disso-teeth on Teeth and survived a full spin of Pyrrhon somehow. I come back to meth. a stronger, wiser frog. But the five fellows from Chicago must have grown, too, and I imagine the last 4 years must have done little to dull the edge of their vitriol. Does it still show in the music?” Same drug, increased purity.

The Obsessed – Gilded Sorrow Review

By Steel Druhm on February 14, 2024 in Reviews, Doom Metal, Hard Rock, 36 comments

“Every album we get from Scott “Wino” Weinrich at this stage of his career feels like playing with house money. As a living legend in the American doom scene, Wino had his fingerprints on so much music over the decades that trying to quantify it all can make your head spin. As the founder of early doom act The Obsessed in the 1970s, he helped shape the sound of the genre in America along with Pentagram, Trouble, and Saint Vitus.” Living backwards forever.

Morbid Saint – Swallowed by Hell Review

By Steel Druhm on February 9, 2024 in Reviews, Thrash Metal, 66 comments

“Once upon a time, there was a little-known thrash act out of Wisconsin called Morbid Saint. They were nasty, savage, and uncompromising. They also had trouble getting attention from labels or recording a proper album. Instead of a finished studio product, they released their 1988 demo titled Spectrums of Death in 1990. It might not have been a polished recording, but it showcased their unrelenting aggression and warmongering fury. It went on to become an underground darling and its stature has grown over time. They attempted a follow-up outing in 1991-92 but once again never made it past the demo stage. That demo wasn’t made public until 2015, and by then it was little but a historical footnote. This record of frustrated ambitions is why it was a shock to see a promo from Morbid Saint in the crust muck of the sump.” Full Spectrum assault.

Hulder – Verses in Oath Review

By Carcharodon on February 8, 2024 in Reviews, Atmospheric Black Metal, Black Metal, Folk, Symphonic Metal, 104 comments

“Originally from Belgium but now firmly ensconced in the Pacific Northwest of the US, one-woman black metal project Hulder caused some ripples with debut LP, Godslastering: Hymns of a Forlorn Peasantry, in 2021. Steeped in dark medieval themes and even darker folklore, it channeled both an almost second wave black metal harshness and a folk edge to create a unique sound. Although a little rough around the edges, it promised much for the future.” The future is NOW!

Spectral Voice – Sparagmos Review

By Thus Spoke on February 5, 2024 in Reviews, Black Metal, Death Metal, Doom Metal, Funeral Doom, 60 comments

“In the frenzied ritualistic worship of the god Dionysus, acolytes would often perform the violent act known as Sparagamos—tearing limb-from-limb a sacrificial animal, or human. What ecstatic human hands would enact, Spectral Voice conjures in their sophomore bearing its moniker, their attempt to reach “the moment in which – through sacrifice – atavistic wildness is unleashed, and the ultimate exaltation of life through death is realized.”” Giving voice to the void.

Neurectomy – Overwrought Review

By Felagund on February 4, 2024 in Reviews, Technical Death Metal, 54 comments

“I just couldn’t turn down an album by a band called Neurectomy. I’ve heard of a lot of medical procedures in my day, but I wasn’t as familiar with the process by which a nerve is severed or removed to reduce pain, never to grow back again. With a new “ectomy” added to my growing surgical lexicon, I was still apprehensive. But while tech death can certainly be hit or miss (with the misses often being tedious, forgettable affairs), I was far too interested in the band name and the album art to let something as silly as past experience impact my decision-making.” Nerves of steel.

Acerus – The Caliginous Serenade Review

By Steel Druhm on February 2, 2024 in Reviews, Heavy Metal, 31 comments

“The Chasm have been cracking skulls since 1994 with their riff-intensive, wildly creative death metal. Over the years they evolved from ass-scratching caveman death to technical insanity engineers, but skulls were always smashed just the same. Though I’ve been a fan forever, somehow I missed that The Chasm’s bassist/guitarist/vocalist Daniel Corchado had an epic/trve metal side project called Acerus and had been releasing albums since 2014. For this, I feel great shame and now I must make amends. The Caliginous Serenade is their fourth release and this one will be properly exposed to the AMG masses!” Ride of the Gorge Warriors.

Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]

By Dear Hollow on February 2, 2024 in Things You Might Have Missed 2023, Deathcore, Mathcore, Metalcore, Nu Metal, 42 comments

Sure, there were a lot of releases in 2023. And yes, it’s impossible to keep up with. And honest, who even knew mathcore was still a thing? Our own Dear Hollow knew and he wants you to know, too.