“Growing up in the original thrash era, I loved the big stars of the Bay Area thrash explosion dearly, but as a native New Yorker, I always had a special soft spot for Brooklyn/Queens born Anthrax. Not as evil as Slayer, way less poser killing than Exodus and far less technical than Metallica, Anthrax was the good times thrash band with the New York attitude.” The noise is about to be brougten!
Every once in a while the metal scene collectively pisses on a band or record and someone needs to step up and defend why they like it. I normally don’t spend a lot of time defending shitty records, but sometimes genuinely interesting or good records get lampooned by an overly conservative heavy metal scene and that calls for a professional contrarian to defend it! If ever there was a professional contrarian, it would be me. So here I am to re-hash a record from my past that I still love that everyone else seems to have soured on (or never liked in the first place). This time it’s Stomp 442 by Anthrax.
“I love the first two Artillery albums. I’ve said so often and I’ll continue to trumpet the work those great Danes did until I’m in the cold, hard ground. Since I went on an Angry Metal Tirade about this very topic in my review of Artillery’s 2011 My Blood opus, I’ll digress from further gushing here. Suffice it to say, since those treasured platters, Artillery has had its share of ups and downs, with My Blood being particularly unimpressive and legacy bruising. After some line up tweaks and a new vocalist, they’re B.A.C.K. with Legions and a slightly new approach while still trying to resurrect their former greatness.” The first family of Danish thrash is back again and this time, they don’t make Steel Druhm weep at the grave of their former greatness. That’s good, since we hate seeing the guy cry black tears of wengeance.
Wow, the Thrax is finally back! After endless bullshit, drama and ridiculous delays, the revolving door of vocalists that saw John Bush and Joey Belladonna coming, going and coming again is over (for now). In the peculiar saga that saw John Bush depart so Anthrax could record an entire album with unsung voice Dan Nelson, only to scrap it for planned re-dubs with Bush and then later with original singer Joey Belladonna, we finally get the refinished product. Confused? Yeah, me too. So after an eight year wait, is Worship Music worth the metallic soap opera and histrionics fans had to endure? Well, the hype circus is already in full swing, with the band themselves saying its their best material and some early reviews comparing the quality favorably to genre classics like “Heaven and Hell” and “Stargazer.” Well, allow me to take a step back and simply say, NOT! It’s good and definitely interesting, but Steel Druhm shall not be among the throngs of metal press that hail this as some crowning triumph or the best work of their long career. While it isn’t in the same league as their classics, it’s enjoyable and finds them trying new things without completely ditching the classic Thrax sound. Despite a few excellent songs, Worship Music isn’t the release of the year that many (myself included), hoped it would be.
