Plebeian Grandstand is a name destined for immortality. Over the course of two albums – 2011’s How Hate is Hard to Define and 2014’s Lowgazers, the Tolousian group have annihilated any doubt as to their supremacy in extremity. How Hate is Hard to Define’s distillation of noise, black metal and mathcore proved their worth as ‘the angriest band on the planet,’ but the sheer ambition of Lowgazers propelled the group somewhere further.” Prepare to be destroyed.
“You would figure that an album dedicated to a broken relationship would be excellent fodder for a metal band, yes? Israel’s Ferium is tackling that most touchy of subjects with their second full-length, Behind the Black Eyes. That poor, poor dude on the front cover…” Sad songs stab so much.
“Back in January, St. Louis trio
“I know this Belgian dude who acts as my barometer for judging a band’s obscurity. The man’s knowledge of all things metal never ceases to amaze me. Whether it’s the newest grindcore band from Kuala Lumpur or a NWOBHM act that only ever released a live demo, he’ll have heard of them and, provided they aren’t too kvlt for social media, have “liked” them on Facebook. So when I look at a band page and don’t see his name on their fan list, it’s usually because they are so fresh you can suck their nuts.” We do not advocate nut suckery.
“New Zealand’s Beastwars popped up on my radar with their excellent Blood Becomes Fire album in 2013. They impressed me with their bruising style of doomy sludge metal, combining the heft of Leviathan-era Mastodon and molten riffage of High on Fire before injecting subtle doses of ’90s grunge, prog and classic rock influences into the mix.” Feast on this beast.
“Imagine, if you will, a world torn asunder by racial and cultural intolerance. Entire countries are erased, and many religions are shunned, their followers persecuted or worse. Now picture, if you can, a united Europe acting as a new Babylon, a holy ground for those seeking shelter from the bitter storms of prejudice and hate, and bustling with diversity, all while impending doom is just looming over the amber horizon. Such a lofty world is given life on Seven Heads Ten Horns, the fourth album by Italian gothic doom sextet, The Foreshadowing.” A concept album about the 2016 American election cycle? That was fast!
“It’s been a while since a doom/death album graced my overloaded promo bin, and as a tried and true sad-boy, I was quite stoked to see October Tide’s fifth album, Winged Waltz arrive. Formed by Katatonia ex-pats Fredrik Norrman and and Jonas Renkse, the band has long made it their practice to take elements of early Katatonia material like Brave Murder Day and mix it with the classic doom/death of Rapture and early Paradise Lost. This led to some stunning moments and others that were inexplicably less inspiring.” Turn those frowns even further down.
“With a name like Tombstoned, you can probably gather that these boys love the sweet leaf and the doomy, sludgy sweet life of the ’70s. Warping back to a time once ruled by Black Sabbath and shared by Hawkwind, Tombstoned lather up in the buzzy, dynamic, heaviness of the former, while incorporating the psychedelics of the latter.” The rolling stoned gather no moss.
“Upon learning that Norwegian newcomers Reptilian were peddling a “unique and twisted form of Death Metal” on their debut Perennial Void Traverse, I gritted my teeth and prepared for the boring hipster “soundscape” that was to greet my ears when I hit play.” But you won’t believe what happened next!
“Ah, April. The air is crisp, the baby animals are frolicking – and apparently, the Swedish Crust Machine has gone into overdrive. For those who didn’t get enough of a D-beating from Victims’ latest album, Parasit is here to belch a layer of grime and bathroom scum all over your precious springtime paradise with sophomore LP A Proud Tradition of Stupidity.” Where did all this shaving flotsam come from?!
