“Timechild takes the feel-good sounds of hard rock past and fuses a modern-looking, 00’s radio melancholy to form their own brooding yet bolstered identity. Cuts from Blossom & Plague don’t feel far away from the T-injected dad jams of a band like Tremonti or the soulful and virtuosic AOR thump of Winery Dogs, but this unheralded Danish act plays without a notion that bands like that even exist.” Time, tide, and plague.
“Since 2005 Audrey Horne have been showing the world that some of the best American-style rock n’ roll comes from Norway courtesy of black metal and stoner doom musicians. Yeah, I know, go figure, but damn if that’s not how things played out. On the strength of albums like Youngblood and Pure Heavy the band carved out a sizeable niche of hard-rocking good times music with a strong NWoBHM flavor and they’ve been in heavy rotation in my neck of the woods for many a year. They’ve been quiet since 2018’s Blackout, but 2022 sees them return with seventh album, Devil’s Bell.” Bell’s end.
“Finland’s Craneium managed to accrue some low-level buzz on the strength of two albums of entertainingly fuzzy, buzzy pysch/stoner rock mixed with minor sludge and alt-rock influences. While their sound is sure to remind you of other bigger acts like Monster Magnet and Sahg, they’ve managed to do their own thing and create some interesting material with a unique spin. Now comes third album Unknown Heights, which after nearly three years of effort the band thinks is their best product thus far.” Trip to the brain stone.
“The tides of progress in metal will never erode the bedrock of the genre, that special thing we call heavy metal. The mix of power, strength, hope, and joy inherent in this little slice of the metal pie will always appeal to many metalheads so long as the genre continues to exist. Fortunately for Screamer, there will always be a place for records like Highway of Heroes. Fortunately for us, this means bands like Screamer will continue to make them.” Your mom’s a… nah, too easy.
“In the vanguard of the retro rock/metal movement are High Spirits, Gygax, Audrey Horne, and Night Flight Orchestra: bands that wear their influences not only on their sleeves, but on their entire bodies. They pay loving homage to the sounds of the 70s and 80s, but their songwriting prowess sets them apart from the crowd. Rather than making a mockery of Thin Lizzy or Toto, they revel in the sound and chart their own path forward – either in earnestness or in ultimate cheese. Sweden’s Hypnos aim to join this exalted group with their third album, Set Fire to the Sky.” Fly to the past.
“Before there was The Night Flight Orchestra, there was Audrey Horne. They were the first extreme metal collective to rediscover and mercilessly plunder the sacred crypts of 70s and 80s radio rock, leaving naught behind for subsequent tomb raiders but Frank Stallone 8-tracks and broken pieces of Toto and Billy Joel imports. Those purloined rock relics helped fuel album after album of irresistibly rowdy music, establishing these sticky fingered Norwegians as the best hard rock band America never produced.” Who rocks in a pineapple under the sea?
“Screamer, a group of jovial Norwegian retro-rock revivalists, are putting out their third Hell Machine soon, and there’s a very particular standard by which it ought to be judged. The standard I’m referring to is Audrey Horne’s masterful Pure Heavy, far and away the best record of the retro-rock revival movement.” Mess with Audrey, you get the Horne.
“Give this some thought for a second: you’re putting together a black metal dream team, who would it include? I wonder how many of you would arrive at noted producer and Vulture Industries’ frontman – Bjørnar E. Nilsen, and guitar aficionados Arve Isdal (Enslaved, I, Audrey Horne) and Gjermund Fredheim (Taake, Orkan).” Super groups doing stranger things.
“Ever notice how we at AMG Conglomerated Blogworks, Ltd. spend our time bitching and carping about album length and the need for slavish adherence to the 45 Minute Rule? In an age when even EPs are running close to 40 minutes, it gets pretty hard to to uphold the “less is more” banner and remain a defender of editing and artistic restraint. Then in our darkest hour, Chris Black arrives with his High Spirits project.” Expectations and spirits are high.
“As I walk through the valley where I harvest my grain, I take a look at my list and realize it’s very plain. Barring an oddity or two, this feels like the most predictable list I’ve assembled since joining the AMG crusade. I can’t even blame 2014, since it was a decent if not amazing year for metal during which we all learned to enjoy of deep sadness and worship at the altar of the all seeing Sphere of I-ruhn.” Brace yourselves, sheeples, a two ton Top Ten(ish) heavy thing is about to drop from the steely skies onto your eager eyes.
