Apr 9 2010

Bison B.C. – Dark Ages Review

Angry Metal Guy

Bison B.C. // Dark Ages
Rating: 4.0/5.0 — Way cool record
Label: Metal Blade
Websites: myspace.com/bisoneastvan
Release Dates: EU: 9.04.2010 | US: 04.12.2010

Another record from Metal Blade’s Canadian installation and the third record from Canadian 70s-metal-meets-hardcore band Bison BC. This record took me totally by surprise, as I’d never heard of this band before and wasn’t really sure of what to expect. Honestly, all I had to go with was the look of the record and it looked very 70s. That fact alone hasn’t been very reassuring, while there are some bands out there trying to push the sound a bit, it just feels like another nostalgia movement that isn’t going anywhere to me so I tend to be pretty skeptical of such records.

Dark Ages, however, is maybe that white buffalo of the herd, then. While maintaining the fundamental foundations that you hear from bands like High on Fire or Barn Burner, that is, the thick low end and doomy feel, Bison BC pushes the envelope with a much more hardcore oriented vocal approach. The sound is also characterized by some old school sounding death metal riffs and some deceivingly proggy moments which I could have done with even more of actually. While the indie scene is getting their 70s prog on, the metal scene seems to be more interested in emulating the simplicity of Motorhead and Black Sabbath and less with some of the more progressive roots of the scene—something that is slightly remedied here.

I might be wrong, but there is definitely the feel that these guys were also a bunch of former crust punks or something. The record is produced much more like an old hardcore or metal album than most of the modern stuff that’s coming out and it’s a sound that I really like. The tones are thick and meaty, the drums are nothing but beef and the guitar tone is like smooth like butter while still being totally fat. This is one of the best features of the album, as you sort of zone in and out of their riffs, it really stands out how fucking heavy old school production really  sounds when you compare it to a lot of the modern production tricks and techniques that we’re hearing these days. All-in-all, the earthy tone from this Canadian foursome is a refreshing change of pace and Dark Ages has all the heavy riffs that a modern metal head could possibly want. For me, the highlights were definitely “Stressed Elephant”, which has a cool horn section at the beginning, some acoustic work at the end and is just generally totally epic, and the track “Die of Devotion” which is almost thrash, except that the chord and melodic choices are way more interesting. But “Wendigo Pt. 3″ which seals the record up is definitely the finest moment and it culminates in all that prog that’s missing from the more straight hardcore and metal stuff.

Honestly, the biggest complaint that I have about this record is probably that it’s not proggy enough. They sound like they want to prog it up, but then they always break it back down to the more simplistic hardcore and crusty stylings. While it definitely works and is definitely enjoyable, it left me frustrated waiting for Rush or Kansas to burst through all the “raaaah!” that was going on here. Fans of the neo-70s stuff, crusty punk and hardcore should definitely check this out. Though, I think most people should at least give these guys a listen, because Dark Ages is interesting, thick and heavy as the nearly extinct land mammal from which they take their name.

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Feb 11 2010

Barn Burner – Bangers Review

Angry Metal Guy

Barn Burner // Bangers
Rating: 1.5/5.0 — Pretty good album marred by very banal, lackluster vocals
Label: Metal Blade
Website: myspace.com/theinfamousbarnburner
Release Dates: EU: 15.02.2010 | US: 02.16.2010

I don’t know about you, but when I think about classic rock I think about vocalists. Guys like Steve Perry, Steven Tyler, Robert Plant, Geddy Lee.. you know, big voices, amazing melodies, and sure while you might not like every single person there, you appreciate what they offered in the sense of their huge influence and their technical skill. Hell, even look at early metal vocalists, guys like Paul Di’Anno, Rob Halford and Bruce Dickinson were all very different stylistically, but had gripping melodies, great presence and pushed forward with their sounds. So what fascinates me is that any band with sort of a classic rock influence and approach would ever select a vocalist with a 4 note range.. but I have now encountered it on Barn Burner‘s Bangers.

I do not begrudge a band its style. No, every band has its own style, for better or worse, and should be accepted for that style. And stylistically there are some very compelling things about the band Barn Burner, which is releasing their debut record on Metal Blade in about a week. The record is heavy and thick with a nice, old fashioned analogue sound that is pleasing to the ears and that is reminiscent of a time when men were men and bell bottoms were hip. The riffing is iron clad and enjoyable, pumping out excellent classic rock influenced licks that build tension and make you want to rock on tracks like “Medium Rare” and “Brohemoth”.  The foundation here is worth a listen to, really, ’cause this Canadian foursome has some pretty serious chops.

However, despite the record being rock solid and thick there’s this guy who drones over it. I’m actually not kidding about the vocalist’s 4 note range. I think it literally is like four notes. I didn’t count them to be sure, so I might be showing some kind of terrible bias here, but honestly it feels like ONE note the whole time, so I’m being generous by saying that he has a four note range. I could publish my notes for this review, but I think it would just add insult to injury because they all say things like “Monotone melody. Band has great chops. Four note chorus.” and “Vocalist sucks.” Or my personal favorite: “Band good. Vocalist bad.”

Honestly, I’ve been trying to figure out who this guy sounds like but I really can’t come up with it. So imagine a guy with the range of Blaze Bayley and the delivery of Bob Dylan. And actually, he kind of reminds me of the vocalist from that stupid band 3 Doors Down, except that (shock!) that guy has a better range. That probably explains it. Sure, one could say that this is sort of punky and raw, but I don’t think that’s really true. Guys in punk can sing like Bad Religion or NOFX or Propagandhi and the list goes on. Paul Di’Anno was a punky, raw metal vocalist and he has some serious fucking chops when he wanted them! No, this dude pretty much just drones at the listener for 40 minutes and at the end you’re left thinking, “Who let that guy out of the bar bathroom?”

Now, I know that this is stoner rock and I have never claimed to be a fan of stoner rock. With tracks like “Brohemoth” and “Beer Today, Bong Tomorrow” you know what we’re dealing with here. But I’m pretty sure that the dudes from Led Zeppelin were stoned like ALL THE TIME and somehow Robert Plant still manages to be a compelling vocalist. I’ve heard death metal growls with more diversity and range than this dude. I want to say for the record so that it doesn’t seem like I’m just taking cheap shots at the dirty hippies that musically, aside from the vocals this band has a ton of potential. I really enjoy the sound and the production, it’s beautiful, old school and meaty. Those are things that are missing in a ton of modern metal and rock and so I feel kinda bad for these guys that they’ve been saddled with such a vocalist. If they could get someone who has a little bit more range and personality, these guys would probably do well enough that they could buy some really good weed.

Like this review or article? Hate advertisements? Buy me a beer to show your appreciation for it (and to keep me too drunk to sign the advertising contracts). $5 for a glass and $10.00 for a pitcher are my helpful suggestions.