“Grant the Sun at surface appears as Norway’s newest metal jam band export, crossing ears with sounds that conjure the one-off twangy dream of Graviton or the chug-n-swell maestros Russian Circles. Reaching equally to a shoegaze fizzle (“Mariana,” “Vertigo”) and modern prog syncopation (“Machina,” “Hits like a Wave”), Grant the Sun brings many flavors to the table.” Panda Express.
“Do you know what a big muff pedal does? Well, if you don’t, it essentially can turn electric guitars into fat fuzzy rock machines. Over the decades, that sound has found a home across all genres that riff, stomp, and tear blues licks a new one. As such, the pedal name lends itself well to the mission of the wacky Norwegian outfit Big Muff 68, who seeks to give us a fresh new genre view with Swing Metal. If you hadn’t guessed yet, that genre is none other than… swing metal!” Tough Muff.
El Cuervo and Diabolus in Muzaka proudly display their Top Ten(ish) lists without a shred of self-awareness. It’s gross really.
![Beaten to Death – Laat maar, ik verhuis naar het bos [Things You Might Have Missed 2021]](https://www.angrymetalguy.com/wp-content/uploads/2021/12/beatentodeathlaat.jpg.webp)
“Some of you may whine that Laat maar, ik verhuis naar het bos (Nevermind, I’m Moving to the Woods, if Google Translate is to be trusted) is not a 2021 release. True enough; it released on vinyl in September 2020. However, the limited run offered and timed vinyl-exclusive meant that very few people actually heard the record until 2021. Beaten to Death, in a fit of questionable genius, released the record digitally as 4 separate EPs released across 8 weeks, the last of which was only unveiled on 24 December 2020. Acquiring each of these and editing their metadata into the vinyl arrangement was quite the faff, let me tell you, and I heard the record in full for the first time on 1 January 2021.” Time is a human construct.
![Otoboke Beaver – Itekoma Hits [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/12/Otoboke-Beaver-Itekoma-Hits-01-768x768.jpg)
“As long as it’s good, gives us reviewers joyous vibes, and is kinda sorta somewhat within proximity of our wheelhouse, we’ll give it a fair shake and coverage. Kyoto’s Otoboke Beaver’s debut full-length, Itekoma Hits, is several miles away from our particular wheelhouse, but we see them, cheerfully smiling and waving while screaming, delivering some absolutely apeshit bonkers music that veers from pop-punk to hardcore to surf music to practically everywhere else and in-between.” It’s not metal, but then again, neither are you.
Christmas is over, but the lists are still lurking! Next up is Dr. Wvrm and his highly important opinions on what ten albums you should hear in 2018.
More lists for the list machine! The men who unwisely go by their real names, Mark Z. and L. Saunders boldly proclaim their best albums of 2018.
The top tens are marching, and Huck N’ Roll and Eldritch are ready to spread the gospel of good metal across the land. You wanted lists, you got lists!
“The Norwegians’ 2015 masterclass Unplugged earned every bit of praise it received as it ruined thousands of scoliosis patients’ dreams of reaching the top shelf. I’ll say it up front: fourth record Agronomicon doesn’t top it, doesn’t even try. But don’t you dare to call it inferior; if anything, Agronomicon testifies to Beaten to Death’s staying power as a force in the grind scene.” The list beating goes on and on.
“Formed in 1990 by prolific bass-slinging band whore Dan Lilker (Anthrax, Nuclear Assault, Blurring, Venomous Concept, S.O.D. & many others), New York’s Brutal Truth threw their hats into the grind ring and captured lightning in a bottle with their phenomenal 1992 debut, Extreme Conditions Demand Extreme Responses; a dead-set grind classic, now certified as an olde motherfucker. There’s something special about Brutal Truth’s underappreciated debut that sets it apart from pretty much any other grind album I’ve experienced.” The ugly truth.
