Blood Oath

Blood Oath – Lost in an Eternal Silence Review

Blood Oath – Lost in an Eternal Silence Review

“There was a dark time in the 80 when death metal was unknown to the masses, a mere potentiality. The early output from Possessed and Hellhammer/Celtic Frost helped define its borders, and the ripping intensity of Dark Angel and Slayer filled them with anger and aggression. All these disparate elements pissing in the same ghatly gene pool would eventually birth the abomination we all know and love, which would be spearheaded by Death and pushed outward into progressive vistas. That strange journey from tortured birth to shambling early adulthood is captured quite quaintly on the debut full-length Lost in an Eternal Silence by Chile’s Blood Oath.” Old blood, new death.

Suffocation – Pinnacle of Bedlam Review

Suffocation – Pinnacle of Bedlam Review

New York brutal death metal pioneers, Suffocation, have never sounded better. Even though their seventh studio album, Pinnacle of Bedlam, is the first without longtime drummer Mike Smith, the music’s percussive section has not lost its technical edge. Dave Culross—whose drumming last appeared on Suffocation’s 1998 EP, Despise the Sun—fulfills his role as the band’s blast-beating machine well. From the opening burst of percussive gunfire in opening track, “Cycles of Suffering”; to the sluggish, cymbals-heavy drumming heard in tenth and final track, “Beginning of Sorrow”; Culross displays an aptitude for adjusting the knob on the tempometer as and when appropriate. Still, there is not much creativity when it comes to filling in the aural blanks between both tracks, as Culross predictably serves up a plethora of blast beats. But hey, this is Suffocation. Expecting their drummer to do anything else but that is like expecting Crucio Siege Tanks to remain in tank mode while defending Terran bases [It’s like he’s speaking KlingonSteel Druhm].