Born of Osiris

Aeons – Consequences Review

Aeons – Consequences Review

Aeons play a form of progressive metal which, like most progressive bands, sounds an awful lot like what has come before, with melodies and deathcore vocals fighting it out. Don’t get too excited at this never-before-heard sound, however. This is Born of Osiris by way of Thy Art is Murder with a massive detour through Veil of Maya. If Aeons could be said to have an “angle,” it’s that it embraces its influences while incorporating an even broader palette.” Consequences and repercussions.

Krosis – A Memoir of Free Will Review

Krosis – A Memoir of Free Will Review

Krosis is a progressive deathcore band from North Carolina, A Memoir of Free Will being their second full-length. I’m not sure what progressive really entails, as the label has been used to describe anything from the djenty chuggaboundabounboundaluggs of Structures or Volumes, to the transcendental offerings of Slice the Cake or Kardashev.” Jawbreakers.

Krosis – Solem Vatem Review

Krosis – Solem Vatem Review

“It seems as if the late-2000s progressive deathcore scene is still strong, with stalwarts like Born of Osiris still putting out albums while newcomers like Shadow of Intent drop new and exciting explorations of the style. Perhaps it’s the years lost to the flash-in-the-pan djent experiments or the people playing the music simply growing older, but the oft-maligned microgenre seems to have become a bit more self-aware in the decade since its inception. And while gauged earlobes and squeaky-clean production die hard, good songwriting lasts forever. Do Krosis have what it takes to keep it moving forward?” Death and songcraft.

Periphery – Juggernaut Review

Periphery – Juggernaut Review

“Believe it or not, we tend to research the bands we review here, even if it’s occasionally more tempting just to mash our palms against the keyboard for five hundred words, assign an arbitrary score, then knock off down to the pub. This week has, therefore, seen me listening to an unhealthy amount of the genre that discerning metalheads love to hate: djent (the ‘d’ is silent).” Djent is a challenging genre, but then again, a double album of material can make any genre challenging. We like challenges.