Burden of Grief

Burden of Grief – Eye of the Storm Review

By Master of Muppets on May 8, 2018 in 2018, German Metal, Massacre Records, Melodic Death Metal, Metalcore, Reviews, Melodic Death Metal, Metalcore, 110 comments

“Oh, Metalcore, I mourn for those who never knew you. Glorious was the heyday of such then-gigantic core ‘core acts as Killswitch Engage, All That Remains, Shadows Fall, etc. The alchemy of fusing melodeath-inspired riffage and radio-friendly songwriting yielded far more quality results than one might expect or willingly concede, yet the saturation and over recycling of this formula ultimately failed to maintain the staying power of its trve idols. Nonetheless, it’s still a thing, so people are still doing it. In Germany, Burden of Grief are hard at work being that collective guy.” Burden of core.

The 11th Hour – Lacrima Mortis Review

By Angry Metal Guy on January 16, 2012 in 2012, 4.5, Doom Metal, Dutch Metal, Napalm Records, Record o' the Month, Reviews, Doom Metal, 7 comments

Well, after months of pimping this record (a lot) for everyone and bugging promotional people for copies of it and so forth, I finally have The 11th Hour’s follow up to the masterful Burden of Grief which hit home with this Angry Metal Guy in 2009. As a guy who has never really been a huge doom fan, I can say that Burden of Grief was an eye opener on several levels. First, it’s safe to say that the songwriting was fantastic. Slow, dirgey and depressing, but never wandering into the areas of mind numbing dullness that other doom bands reach (it must be my Angry Metal Attention Deficit Disorder). But also, the record contained deeply personal lyrics, haunting clean vocals and a concept that made the whole record sit together in a way that few other albums do. Indeed, Burden of Grief is easily one of the best albums I own and so, I guess, that and all the anticipation made the danger that I would be disappointed high. But this isn’t just about psychology, either. There is also a thing called “sophomore slump” for a reason. Burden of Grief probably had a lot longer to percolate than Lacrima Mortis did and was coming from a different place both psychologically and in the time line of Ed Warby’s career. With partner in crime Rogga Johansson unable to record vocals, it’s safe to say that this record could have really lost a step.

The 11th Hour Studio Diary #4

By Angry Metal Guy on December 9, 2011 in Blog Posts, 3 comments

So here’s a special fucking treat if ever there was one. Ed “Hogwarts” Warby (as he’s known to friends) is writing for this blog to give updates on his HIGHLY anticipated (by this Angry Metal Guy) follow up to Burden of Grief which is one of my favorite doom records ever. He’ll be periodically checking in with the written word as watching him in his studio would be about as exciting as watching Ihsahn was in his (i.e., not fucking entertaining at all; watching flies fuck; paint dry; corpses decay without time-lapse). Enjoy! – AMG

The 11th Hour Studio Diary – #3

By Angry Metal Guy on November 22, 2011 in Blog Posts, 0 comments

So here’s a special fucking treat if ever there was one. Ed motherfucking Warby (as he’s known to friends) is writing for this blog to give updates on his HIGHLY anticipated (by this Angry Metal Guy) follow up to Burden of Grief which is one of my favorite doom records ever. He’ll be periodically checking in with the written word as watching him in his studio would be about as exciting as watching Ihsahn was in his (i.e., not fucking entertaining at all; watching flies fuck; paint dry; corpses decay without time-lapse). Enjoy! – AMG

The 11th Hour Studio Diary – #2

By Angry Metal Guy on June 15, 2011 in Blog Posts, Doom Metal, 3 comments

The 11th Hour Studio Diary – #1

By Ed Warby on May 17, 2011 in Blog Posts, 3 comments

Top 10(ish) of 2009

By Angry Metal Guy on January 5, 2010 in 2009, Blog Posts, Things You Might Have Missed 2009, 2 comments

Well, everyone else under the sun has been releasing their Top 10 lists, and for those of you faithful readers out there I’m sure you’re also interested in what I’m going to say about the best records of 2009. First, let me say that for the first half of this year I was not indeed Angry Metal Guy, but instead, I was just a normal guy buying my metal and hoping that it was going to be fucking awesome. Now, I’m a bitter critic. As a bitter critic I hear a lot more, but this year has still been characterized by some of the biggest bands on the scene for me. Mainly, Amorphis, who in my opinion have released the finest album of the year, if not the finest album of their very distinguished career. But, let me get to that later. There have been some great records this year, but there has been a lot of mediocre shit. Think of this list as being two-tiered, top 10 and then top 20. The top 10 are the records that I think were really awesome, elite albums, the second 10 are records that I think are great and worth your time and effort. Note that I haven’t heard certain albums that I’d like to hear due to that whole poverty not being offset by stealing music thing. With this, I hope to launch AngryMetalGuy.com into the new year on a new note: one where bands suck less.

The 11th Hour – Burden of Grief Review

By Angry Metal Guy on November 3, 2009 in 2009, 5.0, Doom Metal, Napalm Records, Reviews, Doom Metal, 9 comments

When I started this review zine I had a friend who told me that I shouldn’t write in the first person on here. That as a reviewer I was to try to write objectively, like my opinion is fact and not simply a jaded metal guy on the Internet spewing his opinions about records. I think this is impossible for a lot of reasons, but one of them is that we all like certain things and dislike other things. I’ve been decried by readers for liking certain records that are apparently aren’t metal enough for them. Whereas others think I’m too hard on their favorite band. But this record proves my point that one needs to write from a place of opinion. See, I have never been the world’s biggest doom metal fan. To be totally frank, I associate a lot of doom with “funeral doom” or “drone doom,” which is a genre that I find to be incredibly boring. And honestly, I like bands that bring it with intensity and speed. I like staccato riffing and tight technicality and progressive approaches. I’ll make no bones about it, I normally associate slow and boring in my brain. That’s right, I probably have hated on your favorite doom metal band of all time at one point or another. So consider that when you’re reading this review and take it for what it is.