“Portland, Oregon seems the home of the wistful, the home of somber, shifting post-metal with a blackened bejeweled heart. Not too long ago we heard from Agalloch (with a sobering attempt at creating infinity in The Serpent & The Sphere) and now hot on the heels of 2013’s Codex Constellatia, Chasma return with their third full-length release. I’m a slacker and while I can remember seeing the blood red adorned Codex Constellatia hit the promo bin, it’s release date came and went and got lost in the metal mire. Omega Theorian was a little more persistent in succeeding where the earlier release didn’t.” Whenever someone mentions Agalloch in a review intro, I feel the need to read on.
Chasma
Chasma – Declarations of the Grand Artificer Review
Debut albums are very important. One day when your band has built up a fan-base, people usually come back to your first album when your newer ones suck. So needless to say, it is pivotal to construct something respectable that might be hailed in the future. American trio Chasma are fairly new to the scene, having only released a demo in 2009, but they’re now releasing their first full-length Declarations of the Grand Artificer. Clocking in at a modest 32:33 with three songs, this wasn’t going to be the most accessible black metal record.