Conqueror

Vomit Ritual – Callous Review

By Diabolus in Muzaka on July 14, 2021 in Reviews, Death Metal, 13 comments

“When I first read the name Vomit Ritual, three thoughts occurred to me. The first was that our tenured professor in all things vomit, Doktor Mark Z, should probably be reviewing this. The second was that Vomit Ritual is a rather funny band name in metal’s typical macabre and absurd sense of humor. What type of ritual involves vomit? Is the vomit procured beforehand, or do the participants need to vomit during the ritual? Who knows? Who cares? The third was reading Vomit Ritual in the phrasing of Death’s “Zombie Ritual,” which is rather amusing. Try it at home, the review will be here when you get back.” Ralph roundtables.

Casket Huffer – Filth Ouroboros Review

By Mark Z. on November 12, 2019 in 2019, American Metal, Black Metal, Death Metal, Hibernation Release, Reviews, Black Metal, Death Metal, 9 comments

“Casket Huffer. There’s a name that begs the question “because why the fuck not?” Given their moniker, I originally expected this Wyoming quartet to produce noxious fumes of the bestial blackened death metal variety. And while there’s always room in the house of Z. for the Conquerors and Caveman Cults of the world, what Huffer have produced on their second album Filth Ouroboros is actually quite a bit different.” Smell the casket.

Slaughtbbath – Alchemical Warfare Review

By Diabolus in Muzaka on September 17, 2019 in 2019, Black Metal, Chilean Metal, Hells Headbangers Records, Reviews, Black Metal, 20 comments

“Time to draw ourselves a Slaughtbbath, folks. What bathing in slaughtb feels like is known to those who heard 2013’s Hail to Fire, the predecessor of Alchemical Warfare and Slaughtbbath’s debut. I took a Slaughtbbath many times via Hail to Fire, which is the least important qualification I possess to review that record’s successor. My most important qualification? Look at my pen name, and then look at the title of this record; Slaughtbbath and I share an enjoyment of gratuitous Slayer puns.” Rub-a-drub-drub.

Holocausto – Diario de Guerra Review

By Diabolus in Muzaka on July 25, 2019 in 2019, Brazilian Metal, Death Metal, Nuclear War Now! Productions, Reviews, Black Metal, 30 comments

“Once someone gets into extreme metal, they find a point of glorious musical stupidity that they gravitate to. This point is normally either war metal (i.e. Revenge, GoatPenis, Conqueror) or the most delightfully moronic slam (i.e. the first Abominable Putridity record, Cephalotripsy). How did these endpoints come to be?” Dear Diario.

Defecal of Gerbe – Mothershit Review

By Diabolus in Muzaka on January 15, 2019 in 2019, French Metal, Grind, Reviews, Xenokorp Records, Grind, 69 comments

“I’ve come around to better goregrind since, first by early Carcass and then Haemorrhage and General Surgery. Novelty grind, such as the shockingly good Trappist, has also wormed its way into my rotation. I haven’t listened enough to form an opinion, but Bitchfork and their “farm grind” is making a splash too. Defecal of Gerbe is novelty goregrind, except instead of gore the focus is on the scatological. Mothershit is also sung in French, meaning I miss about ninety percent of the jokes outside of some titles. C’est la vie.” POO-urns.

Drawn and Quartered – The One Who Lurks Review

By Diabolus in Muzaka on July 28, 2018 in 2018, American Metal, Death Metal, Krucyator Productions, Reviews, Death Metal, 56 comments

“To people unacquainted with beer, they’ll all taste the same. For those acquainted, the differences will be recognized but sometimes tough to adequately express. Such is it too with the genus of murky, cavernous death metal, the type which Drawn and Quartered traffic in on The One who Lurks.” Beer, lurking and death.

War Possession – Doomed to Chaos Review

By Diabolus in Muzaka on November 1, 2017 in 2017, Death Metal, Greek Metal, Memento Mori, Reviews, Death Metal, 66 comments

“The extreme genres of metal are utterly obsessed with war, death, and violence, suggesting the view that the human experience is one of cruelty largely restrained, with all of us united by the cold embrace of death. Extreme metal seems to explore these ideas intently, attempting to find a certain beauty or, at the very least, excitement in the worst impulses of man. Art, at its core, seems to try and explore and express a particular facet of the human experience and imbue it with some sort of message or worldview. We’re naturally repulsed by death and destruction, but, like the story of Leonitus looking at corpses in Plato’s Republic, we’re also fascinated by it: ‘Look for yourselves, you evil wretches! Take your fill of the beautiful sight!'” Man Unkind.

Necroblood – Collapse of the Human Race Review

By Mark Z. on March 27, 2017 in 2017, Amor Fati Productions, Black Metal, Death Metal, French Metal, Iron Bonehead Productions, Reviews, Black Metal, Death Metal, 18 comments

“No matter the genre, it’s always the same story: the vocals are good, the drums are good, but there’s only one thing we’re really listening for. “The riffs! The riffs!” we squeal, like starving kittens begging for milk, scrambling over each other for a chance to suckle from the Iommi teat. I admit that I, too, often find myself craving the Almighty Riff, desperately scouring the blogosphere in search of the satisfying crunch of a particularly well-crafted set of power chords. But there’s the occasional black day when I want something more. Something abusive. Bludgeoning. Something that will yank me into a dark room and beat me up, Hellraiser-style, until all I want is a Shamrock Shake and some Blood Command to ease me back into reality.” That’s gonna leave a mark.

Ascended Dead – Abhorrent Manifestation Review

By Diabolus in Muzaka on March 25, 2017 in 2017, American Metal, Dark Descent Records, Death Metal, Invictus Productions, Reviews, Death Metal, 49 comments

“Why, many reviewers often ask themselves, should I recommend or trash this record? I’ve asked this question of myself about Ascended Dead’s Abhorrent Manifestation repeatedly, and my truthful answer to that is “I have no idea.”’ Brootal music, confused reviewer.

Deiphago – Into the Eye of Satan Review

By Diabolus in Muzaka on August 7, 2015 in 2015, Black Metal, Costa Rican Metal, Death Metal, Hells Headbangers Records, Reviews, Black Metal, Death Metal, 25 comments

“If there’s a Svpreme Kvlt Covrt ov Trve Metal, I’ll officially lose whatever remains of my KVLT CRVD for this (spelling in accordance with THV WVRTH VCT OV 2015). Deiphago is an extreme metal band from Costa Rica that’s been terrorizing the world since 1989. Their fourth full-length is called Into the Eye of Satan and it’s being released by the excellent Hells Headbangers Records, a label I’ve given plenty of Canadian money to throughout the years. You damn well better believe there’s gonna be a cassette pressing too. Perhaps I’m getting too old and can’t handle the kvlt anymore? Maybe not.” Where’s my 8-track? Now that would be kvlt.