Cruz Del Sur Music

Attacker – The God Particle Review

Attacker – The God Particle Review

“New Jersey’s Attacker have a decades-long history but seem to exist in perpetual near-obscurity outside of the Tri-State area. Hitting the scene in 1985 with their Battle at Helm’s Deep debut, they were a part of the US power metal scene along with contemporaries Helstar, Liege Lord, and Jag Panzer. As with others in that movement, they blended Judas Priest andIron Maiden influences with increased speed. Now Attacker return with seventh album The God Particle. Will this be the fateful release that finally sees Weehawken, New Jersey’s finest getting greater exposure?” Do you come from the land of landfills?

The Neptune Power Federation – Goodnight My Children Review

The Neptune Power Federation – Goodnight My Children Review

“I have a soft spot for these Australian weirdos. Memoirs of a Rat Queen bowled me over back in 2019 and I still spin “Rat Queen” and “I’ll Make a Man Out of You” regularly. Follow-up Le Demon De L’amour didn’t quite tickle my fancy the same way, though, with an overall less impactful and memorable tracklist that contained only one real banger. It seems love songs didn’t capture the off-kilter theatrical vibe where The Neptune Power Federation is strongest. The concept for Goodnight My Children is fairytales and bedtime stories, which can really go either way. Underwhelming sweetness or a wonky wonderland, what does the Imperial Priestess Screaming Loz Sutch have in store for us this year?” Tell us a story. Will ya? Will ya?

Stygian Crown – Funeral for a King Review

Stygian Crown – Funeral for a King Review

“The clamor of zhangu, taiko, ahuli, tabor—even the timpani in a modern orchestral context—the steady hammering of the battlefield finds a comfort, an attachment to the mallet metronome of such simple instruments. In memory of sorrow, the rhythm of death metal through one of its most bass-rumbling pioneers, Bolt Thrower, finds that war-like march not just in pounding kicks but also weighted guitar harmonies and bass-throttled grooves that stir the warrior’s heart. Stygian Crown in their idiosyncratic expression of the metal arts embodies in part that low-end fueled, sword-rattling thunder. But as the title Funeral for a King may imply, and as the Steel One himself has explored before, Stygian Crown doesn’t just riff, they doom. Oh, do they doom!” Crown Thrower.

Mega Colossus – Showdown Review

Mega Colossus – Showdown Review

Mega Colossus has more fun than your favorite band. Not that it’s much of a contest given the typically joyless answers most metal fans give in response to the “favorite band” question in the name of cred preservation, but it’s true all the same. Nevermind that these North Carolina dudes can’t help but give the widest of grins in their promo shots; though ostensibly traditional metal, undiluted joy permeates their music on a level most power metal bands could not fathom. Unbridled exuberance seeps from every riff, lick, lyric, and vocal hook.” Mega fun, mega metal.

Gatekeeper – From Western Shores [Things You Might Have Missed 2023]

Gatekeeper – From Western Shores [Things You Might Have Missed 2023]

“It is with great shame that I come before you today to admit that I initially missed Gatekeeper’s second full-length album From Western Shores when it released back in March. As Vice Premier of All Things Olde here at AMG, it is my responsibility to cover anthing traditional that happens to sneak through the Steel Filter™, and in 2023, I have failed mightily in this duty.” Dishonor and redemption at the Gates.

Mirror – The Day The Bastard Leaders Die Review

Mirror – The Day The Bastard Leaders Die Review

Mirror plays a NWoBHM-inspired brand of retro metal. They also reflect a variety of influences from 70s prog to early 80s metal. Their third album, The Day Bastard Leaders Die, offers up a 44-minute tour back to the time when class was stained, and killers were running free. The band is a passion project for Greek bassist, Tasos Danazoglou – most famously known for his short stint in Electric Wizard. Here he’s under the influence again paying tribute to the music he clearly loves.” Faded reflections and bad luck.

Fer De Lance – The Hyperborean Review

Fer De Lance – The Hyperborean Review

“From the mean streets of Chicago come the epic doom metal warriors in Fer De Lance, out to conquer the world and fly the banners of trveness for all the world to see. Featuring members of Satan’s Hallow and Professor Emeritus, Fer De Lance rock a sound blending elements of Atlantean Kodex, Visigoth, Crypt Sermon, and Bathory, with folk elements woven through reminiscent of SIG:AR:TYR. If that sounds like a winning stew of influences, you aren’t wrong.” Boots n’ Lance.

Eric Wagner – In the Lonely Light of Mourning Review

Eric Wagner – In the Lonely Light of Mourning Review

“I truly hate posthumously released albums. Whether they ultimately end up good or depressingly bad, there’s always so much inherent sadness hanging over the final product making it impossible to avoid the whole “music from the grave” effect. When the deceased in question is Eric Wagner, long-time vocalist of legendary doom act Trouble, it cuts extra deep. Still, it’s hard to deny that the grim context only enhances the kind of downtrodden music the man is famous for. In the Lonely Light of Mourning, Mr. Wagner’s second solo outing, plays almost like a goodbye to fans of the man’s 40-plus years in the metalverse.” At the end of my daze.

The Neptune Power Federation – Le Demon De L’amour Review

The Neptune Power Federation – Le Demon De L’amour Review

“Love songs are not metal’s forte. The last album I reviewed, as far as I can remember, that devoted significant attention to the subject was Hemina’s Venus, near the start of my tenure. That makes Le Demon De L’amour the first in over half a decade. If I hadn’t already been familiar with The Neptune Power Federation, I might’ve been skeptical. But Memoirs of a Rat Queen was the highest 3.5 I ever gave. I still wonder whether it should have been a 4.0, and a big reason for that was the album’s pinnacle love song, “I’ll Make A Man Out Of You.” So if anyone could ‘reclaim the love song,’ as the band proclaims, it’d be these eclectic Aussie rockers.” Demon love in the deep blue sea.

Tower – Shock to the System Review

Tower – Shock to the System Review

“The retro metal movement continues unabated, dragging modern metal back to the past (read as: the 70s). New York City’s Tower want their piece of that retro/proto-metal pie, and on sophomore platter Shock to the System, they’re ready to do whatever it takes to get it. Their stock in trade is high-octane, gritty, ballsy metal influenced by 70s rock, 80s traditional metal, and early speed, and folks, these cats are out for blood and treasure.” System upgrade.