“Austria’s Serenity had a pretty good run over these last 10 years. Starting life as a progressive-minded power metal act, by the time 2013s War of Ages hit the streets they’d shifted to a more streamlined and grandiose style, sounding like Kamelot cross-bred with Sonata Arctica and Avantasia. The formula worked very well due to consistently solid, memorable songwriting and albums like Codex Atlanticus and Lionheart had a lot to offer fans of larger-than-life symphonic power metal. 2020s The Last Knight was a step backward, dumbing down their sound while trying to make it more poppy and accessible, with bright synths and borderline club beats underlying the usual pomp and circumstance. The end product was still Serenity but things sounded plastic, frail, and light on substance. Three years on we get their eighth album, Nemesis A.D.” Serenity NOW!
Dark Forest
The EP, Split and Single Post Part 2 [Things You Might Have Missed 2022]
Many EPs were missed in the mad rush of 2022. This is the course correction you need Pt. II.
Trial – Feed the Fire Review
“Way back in 2015, when the world was young and AMG was still using the cursed and damned Excel Promo Sheet ov Doom, an album called Vessel by Swedish prog/power/trad act Trial graced my earholes. It was like a joyous fusion of Crimson Glory, early Fates Warning, In Solitude and NWoBHM and I really enjoyed it. I planned to review it but time conspired against me and Vessel never got the AMG treatment it deserved. 2017s Motherless did, however, and that album was a hot mess lacking the old timey charm and mystique of its predecessor. Fast forward to 2022 and Trial return with Feed the Fire and a brand new singer, and the awkwardness of Motherless is nowhere to be found.” Trial by fire.
Steel Druhm’s Top Ten(ish) of 2020
Lord Protector Steel Druhm proclaims that which is trve iron in 2020 with his mighty Top Ten(ish). Fear the ape, respect the list, forge the swords.
Doom_et_Al’s and Dear Hollow’s Top Ten(ish) of 2020
Doom_et_Al and Dear Hollow have their big boy lists. Did they use that great power responsibly?
Record(s) o’ the Month – April 2020
It’s Record(s) o’ the Month season! Come and see how many individual writers, readers and bands that AMG Himself can insult in a single post! You’ll be shocked, awed and, most likely, insulted! This is the content you come here for.
Dark Forest – Oak, Ash & Thorn Review
“U.K.’s Dark Forest has been cranking out high quality music since 2009, with a very interesting blend of Euro-power, traditional heavy metal and just enough folk elements to give them a slightly unique sound. Albums like The Awakening and 2016s Beyond the Veil were very good, teetering on the cusp of greatness, borrowing from NWoBHM legends like Iron Maiden while also dipping into the slick songcraft of Avantasia and prime Sonata Arctica. Their compositional and storytelling acumen improved with each release and I just knew they had a truly big release in them dying to burst free.” Really good wood.
Dark Forest – Beyond the Veil Review
“I wanted to get this review up much sooner but life happened, and though it’s several weeks tardy, Beyond the Veil, Dark Forest’s fourth album, definitely deserves a spotlight shone upon it. All the more so considering we whiffed on reviewing their excellent 2014 release, The Awakening. These English chaps play folksy power metal with a butt-ton ton of traditional and NWoBHM influences, often sounding like a fusion of Iron Maiden, Kamelot and Skyclad.” Go get Ent!