Dark Funeral

Tomorrow’s Rain – Ovdan Review

By Twelve on April 19, 2024 in Reviews, Doom Metal, Gothic Metal, 23 comments

“Tomorrow’s Rain is an interesting beast. The Israeli six-piece treads between doom and gothic metal, and made a splash with their debut Hollow in part because of the sheer number of guest musicians who participated in the album. Now, four years later, the band returns with their sophomore full-length, Ovdan (“Loss”), an album with a deeply personal backstory. This was recorded after vocalist and founding member Yishai Swartz suffered a heart attack severe enough to warrant open heart surgery.” Rain and recovery.

The Infernal Sea – Hellfenlic Review

By Dear Hollow on February 6, 2024 in Reviews, Black Metal, 24 comments

“Black metal is a finnicky beast. While it’s cohesively devoted to the barbed-wire sonic abuse of the darkest variety, and themes range from the occult, misanthropy, and our old pal Satan, The Infernal Sea dwells in history’s halls. While prior full-lengths Negotium Crucis and The Great Mortality respectively deal with themes such as the medieval church’s exploitation and the Black Death, 2024 finds the Brits exploring a distinct figure: the “Witchfinder General” Matthew Hopkins.” Witch hammering on the coast.

Stuck in the Filter – November/December’s Angry Misses

By Kenstrosity on February 2, 2024 in Stuck in the Filter, Black Metal, Death Metal, Grind, Melodic Black Metal, Symphonic Metal, 52 comments

2023’s cleaning protocols are finally complete, and here comes the Filter scrappings from November and December. Taste them all, then consult a funeral director.

Nahasheol – Serpens Abyssi Review

By Dear Hollow on November 15, 2023 in Reviews, Black Metal, 11 comments

“Black metal is a petty mistress, a femme fatale. Promising the void with cupped hands only to say “made you look” when thousands of one-man bedroom projects jump on your face like deranged sugar gliders, black metal will lull you in and punish you for your optimism. That said, I know better, so I approached the Dutch duo Nahasheol cautiously.” Fear of the dark (and snakes).

Bolt Gun – The Tower Revew

By Dear Hollow on October 9, 2023 in Reviews, Ambient Metal, Black Metal, Doom Metal, Experimental Metal, Noise, Post-Metal, Sludge Metal, 24 comments

“The Tower feels like ascent. You’ll feel light as air, floating upon the ether in warm sunlight, only to crash to earth in plummeting gravity. While journeys are not uncommon across metal’s many weathered and storied expanses, Australia’s Bolt Gun offers a vertical trek. Its experimental fervor, blackened climaxes, and monolithic weight, and above all, the emphasis on atmosphere, offer scenic vistas and groveling earth alike, hurtling towards the summit and the zenith. Always majestic, as if in reverence to the colossal structure always in view, The Tower feels like a chronicle: a breathing, organic, but dense legend.” Climbing creativity.

Dantalion – Fatum Review

By Dear Hollow on September 17, 2023 in Reviews, Black Metal, 57 comments

The fusion of black metal and doom is a finicky one. With a vast repertoire in both reported palettes, the sounds and combinations are as diverse and unique. Spain’s Dantalion specializes in a blend of the Gothic doom enchantments of My Dying Bride or Saturnus and the lightless whimpers of Silencer or Lifelover. Their ninth full-length Fatum is as melancholic and hopeless as its themes suggest: the inevitability of fate.” Doom looping.

The Circle – Of Awakening Review

By Dear Hollow on August 18, 2023 in Reviews, Black Metal, Death Metal, Doom Metal, Gothic Metal, 38 comments

“When we discuss this majesty in metal, common threads lead to Fleshgod Apocalypse and Septicflesh and their ominous orchestras, the strength of battle in the rhythms of Bathory and Amon Amarth, while colossal vastness grants Ahab its weight or Ataraxie its bleakness. Germany’s The Circle utilizes all of the above in its dense and expansive blend of melodic death, doom, and black metal, capped off by symphonic soundscapes and a Gothic vocal style.” Might, majesty, and muscle.

Wind in His Hair – Future Primitives Review

By Dear Hollow on April 10, 2023 in Reviews, Atmospheric Black Metal, Black Metal, Crust Punk, Hardcore, 11 comments

“When we think crust punk and in particular its blackened interpretations, it wouldn’t be remiss to think of acts like Young and In the Way, Ancst, or Trap Them – acts defined by violence. Berlin’s Wind in His Hair, named after Rodney A. Grant’s Lakota character in the 1990 movie Dances with Wolves, settles in violence’s wake rather than any assault of its own. Debut Future Primitives is undeniably blackened crust punk, focusing on the earth’s destruction and the marginalization of indigenous peoples throughout.” And the wind whispers… wiolence.

Drakonis – Blessed by Embers Review

By Mark Z. on April 3, 2020 in 2020, Black Metal, Hostile Media, Reviews, United Kingdom Metal, Black Metal, 13 comments

“I’m getting too old for this shit. That was my initial thought after starting my third or fourth listen of Blessed by Embers, the debut album by U.K. black metal band Drakonis. Hailing from Northern Ireland, the group initially had some promising signs that drew me in. The promo blurb told of a band that had captivating live shows, a string of EPs that garnered positive reception, and a style that mixed black and death metal without falling neatly into any one genre (several members are also part of folk metal band Waylander, so they have some experience under their belts as well).” Olde and cranky.

Sicarius – God of Dead Roots Review

By Diabolus in Muzaka on March 10, 2020 in 2020, American Metal, Black Metal, M-Theory Audio, Reviews, Black Metal, 5 comments

“When we last saw Californian black metal band Sicarius, they were receiving high praise from yours truly for their outstanding debut Serenade of Slitting Throats. I returned to Serenade so its follow-up God of Dead Roots can be put in proper context for this review. This was beneficial, as the differences were in little things – at face value, God of Dead Roots certainly sounds like Sicarius, and Mick Kenney finds himself back behind the boards.” Roots and replanting.