De Profundis

Sacrilegion – From Which Nightmares Crawl Review

Sacrilegion – From Which Nightmares Crawl Review

“As November slips into Mariah Carey’s proprietary month of December, the overall quality of the promos oozing into the AMG storage sump drops precipitously. Only the desperate or foolhardy aim to drop albums in December and much of what is released should never have seen the light of day. That makes any sort of seasonal gambling with unknown acts especially treacherous. Because I’m an ape who likes to live dangerously, I took a high-risk flyer and grabbed the debut album by Salt Lake City’s Sacrilegion.” Sacrilicious.

De Profundis – The Corruption of Virtue

De Profundis – The Corruption of Virtue

De Profundis is a great band who gets a lot of love behind the scenes at AMG HQ, but somehow routinely misses out on full coverage. This kind of thing occurs occasionally and for a number of perfectly understandable reasons, of course. But after seventeen years of diligent work, it’s high time that the English death metal quintet get a proper review from us for their sixth full-length, The Corruption of Virtue. And, as is our prerogative, we bring this review to you late.” Corrupted deadlines.

The Ridiculous Year o’ Death Metal Round-up, Part 1 [Things You Might Have Missed 2018]

The Ridiculous Year o’ Death Metal Round-up, Part 1 [Things You Might Have Missed 2018]

“A lot of good death metal came out this year. In the last six months, it has become an outright deluge, and Ferrous Beuller and I have doggy-paddled through it, coughing and sputtering and generally being overwhelmed. But even if great albums were few, enough good albums came out—and got passed over—that we’re in dire need of a recap. In fact the need is so dire that we can’t hope to cover it all ourselves.”

Angry Metal Guy’s Top 10(ish) of 2015

Angry Metal Guy’s Top 10(ish) of 2015

Twenty-fifteen has been a hell of a ride. It’s been one of my favorite years for music in quite a long time, and I’ve been struggling to prune this list down to 10(ish) records that I really love. But in some ways, the top 5 has never been easier for me to choose. What I find most fascinating about this list is how completely out of step I feel with what I see as being touted as the coolest parts of the underground. I seem to be pretty far afield while everyone else seems to be fawning over the latest ’70s retro doom phenomenon, hope drones, or the latest example of black metal kids missing that intensity not 15 minute songs was the cool part of black metal. This is what it feels like to have been left behind by a scene; to have lived long enough to be that old guy shaking his fist at new trends in metal.