Death Penalty

Steel Druhm’s Top Ten(ish) of 2014

Steel Druhm’s Top Ten(ish) of 2014

“As I walk through the valley where I harvest my grain, I take a look at my list and realize it’s very plain. Barring an oddity or two, this feels like the most predictable list I’ve assembled since joining the AMG crusade. I can’t even blame 2014, since it was a decent if not amazing year for metal during which we all learned to enjoy of deep sadness and worship at the altar of the all seeing Sphere of I-ruhn.” Brace yourselves, sheeples, a two ton Top Ten(ish) heavy thing is about to drop from the steely skies onto your eager eyes.

Things You Might Have Missed: Death Penalty – Death Penalty

Things You Might Have Missed: Death Penalty – Death Penalty

“When Cathedral went belly up last year, riff-meister extraordinaire Gaz Jennings was left with some time on his nimble hands. Like any good doom maven he used this time to recruit a new band and launch Death Penalty, which he lovingly named after the debut by classic doomsters Witchfinder General.” If Gaz be playing, you best be paying.

Devil – Time to Repent Review

Devil – Time to Repent Review

Ghost may have unintentionally triggered a little retro within retro trend with their well received Opus Eponymous debut. The similar acts are already starting to pop up like evil mushrooms and Norway’s Devil is one of the first. Their debut Time to Repent harkens back to all things 70’s and its melodic doom rock all day long. They wield a sound that falls somewhere between Black Sabbath’s Vol. 4 and the NWOBHM vibe of Witchfinder General with a few traces of old Pentagram mixed in. I’m sure that sounds like a heady brew to many loyal readers (not AMG though, he hates blues-based doom like I hate light beer). Time to Repent offers up eight tales of sorcery, evil women, open graves and all such good family fun. It’s stripped down, simplistic, melodic and not the kind of doom that crushes you or brings on bouts of crippling despair. Instead, its very rock-based and groovy. While some of the material is worthwhile and shows real potential, more of it is pure amateur hour, cringe-worthy garage rock and unlikely to make anyone forget about Ghost anytime soon.