Debemur Morti Productions

Forhist – Forhist Review

By Doom_et_Al on February 25, 2021 in Reviews, Atmospheric Black Metal, Black Metal, 27 comments

“Sometimes, we all gotta get back to basics. When you’re Vindsval from the influential band, Blut Aus Nord, that means returning to your atmospheric black metal roots. Blut Aus Nord has always been an interesting proposition, veering wildly between the avant-garde (The Work Which Transforms God, 777 trilogy) and the traditional (The Memoria Vetusta trilogy, Hallucinogen). While I admire the boundary-pushing stuff, I have a mighty soft spot for those Memoria Vestusta albums, which I think comfortably inhabit the apex of melodic black metal. Forhist is Vindsval’s solo project, and Forhist the debut under this moniker.” Blut Aus More.

The Amenta – Revelator Review

By GardensTale on February 19, 2021 in Reviews, Death Metal, Industrial Metal, 24 comments

“The Amenta is a bit of a strange beast. Formed in the late 90’s in Sydney as Crucible of Agony, they released 4 albums after transferring to their new moniker before finally going underground in 2013 after the release of Flesh is Heir. Now the Aussies have reunited under a new label, hoping to stoke the fire anew. But is Revelator a revelation?” Tell me, who’s that writing?

Aversio Humanitatis – Behold the Silent Dwellers Review

By Akerblogger on June 21, 2020 in Reviews, Black Metal, 22 comments

“The intense drama of a misanthropic black metal release arrives to a listener as both a serious work of art and an absurd, sometimes even comical, view of the way things are – a mirror. Spain’s Aversio Humanitatis seek to abandon humanity through their music. They’ve had enough. We’re too far down the rabbit hole.” Resisting life.

Blut Aus Nord – Hallucinogen [Things You Might Have Missed 2019]

By Roquentin on December 20, 2019 in 2019, Black Metal, Debemur Morti, Experimental Metal, French Metal, Melodic Black Metal, Reviews, Things You Might Have Missed, Things You Might Have Missed 2019, Black Metal, Melodic Black Metal, 48 comments

“Whichever the style, the quality of <'sb>Blut Aus Nord output never faltered. They could and have done whatever they wanted. Yet even in such a varied discography, their thirteenth LP Hallucinogen arrives as a sharp and expectedly unexpected detour. An ascendance to a higher celestial plane.” Black trip.

White Ward – Love Exchange Failure Review

By Kenstrosity on September 18, 2019 in 2019, Black Metal, Debemur Morti, Post-metal, Reviews, Ukrainian Metal, Black Metal, 86 comments

AMG is on the case of the brand new White Ward release. Is that gumshoe on your shoe?

Crimson Moon – Mors Vincit Omnia Review

By Doom_et_Al on September 10, 2019 in 2019, American Metal, Black Metal, Debemur Morti, German Metal, Reviews, Black Metal, 11 comments

“Crimson Moon originated as a single-man black metal project in 1994, the creation of Scorpios Adroctonus. In 1998, he moved from America to Germany and expanded the project. But the output of Crimson Moon has been sparse, with only three albums since it was formed. The last was 2016’s Oneironaut, which impressed many (including our own Al Kikuras) with its expansive, but occasionally excessive, approach. Now the band is back with Mors Vincit Omnia (Death Conquers All) in, by their standards, record time. Is that occult itch about to be scratched?” Institutional blasphemy.

Thenighttimeproject – Pale Season Review

By Grymm on June 24, 2019 in 2019, Debemur Morti, Progressive Rock, Reviews, Swedish Metal, Progressive Rock, 24 comments

“It’s been a hot minute since I even remotely touched anything Katatonia-related. That’s not out of complete and utter disownership of a great band, mind you. I’ve just been bombarded with so much doom and black metal that keeping up with them can be a bit difficult. So when word that former members the Brothers Norrman had not only put out a new October Tide album, but also the second full-length album from their prog-rock outfit Thenighttimeproject, I figured a reacquainting/discovery mission was in order.” Night shift.

Latitudes – Part Island Review

By Kenstrosity on April 9, 2019 in 2019, Ambient Metal, Black Metal, British Metal, Debemur Morti, Doom Metal, Post-metal, Reviews, Ambient Metal, Black Metal, Doom Metal, Post-Metal, 49 comments

“I have historically shown more than a little apprehension towards the post-metal tag. At first, I felt it screamed pretension, a trait that tends to break my enjoyment of music if not kept in check. Lately, though, I’ve reassessed my opinion after finding deep enjoyment of bands often placed within the post-metal spectrum—Astronoid, Downfall of Gaia, and more recently, Latitudes.” No man is Part Island.

Kaleikr – Heart of Lead Review

By Kronos on February 20, 2019 in 2019, Death Metal, Debemur Morti, Icelandic Metal, Post-metal, Reviews, Death Metal, Post-Metal, 102 comments

“Iceland’s black metal scene is one of the world’s most singular, with bands like Misþyrming and Zhrine combining some of the dissonance of French bands with the Earthy atmospheres of the Cascadian scene while oddballs Sólstafir fall in with psychedelia and krautrock. Some of the most well-received black metal of the early decade came roaring out of Reykjavík, and with an impressive roster of active bands there’s sure to be more to come. Much like New Zealand, the island nation has gained most of its notoriety in the metal world in the last ten years, but unlike New Zealand, very little of that notoriety has gone to death metal. Kaleikr have a thing or two to say about that.” Death on ice.

Yerûšelem – The Sublime Review

By Grymm on February 5, 2019 in 2019, Debemur Morti, French Metal, Industrial Metal, Reviews, Industrial Metal, 47 comments

“Sometimes, repetition can be a powerful tool. French weirdos Blut Aus Nord know this quite well, as they’ve (he’s) used this tool over the course of several classic and not-so-classic albums. When guitarist, vocalist, and otherwise main fixture Vindsval reunited with longtime BaN bandmate W.D. Feld to further explore the more coldwave/post-punk influences found during the 777 trilogy in Yerûšelem’s debut, The Sublime. With a fresh canvas to work with, Yerûšelem looks to paint a newer, fresher image of what Vindsval’s main project hinted at.” Loopy.