Deceiver of the Gods

Amon Amarth – Jomsviking Review

Amon Amarth – Jomsviking Review

“The first man I killed was the earl’s right-hand man / When he came to take her away / I ran his own sword straight through his throat / And then I stood there, watching him fall!” Amon Amarth’s Jomsviking wastes no time reminding you to whom you are listening. Of the Swedish metal scene of the 1990s—a scene so legendary and influential that it became almost cliché after incessant imitation—Amon Amarth is one of the very few who has continued strong. While not every record has been a Lindesfarne, their discography is like a series of profitable raids that have raised their profile so high that Jomsviking isn’t being released on Metal Blade in Europe. Amon Amarth is officially a major label band now, having signed to Sony in the three years since Deceiver of the Gods was released in 2013.

Record(s) o’ the Month – June 2013

Record(s) o’ the Month – June 2013

I’ll admit it: June was better than much of the year before it. I mean that as in: June produced more records I really like than the entire month before it in almost its entirety. It gave us great releases from Amon Amarth, Autopsy, Summoning, Locrian, Author & Punisher, Svart Crown, Queensrÿche, Black Sabbath, White Wizzard (no accounting for taste, as they say), and last (but certainly not least) The Black Dahlia Murder. That’s a list not to be trifled with. So let’s cut through the bullshit and hand out the award for Record o’ the Month!

Amon Amarth – Deceiver of the Gods Review

Amon Amarth – Deceiver of the Gods Review

Amon Amarth. It should be no secret that the fanboys of Angry Metal Guy dot com love this band. With With Oden on Our Side ranking in at #12 on my Top 15(ish) of the 2000s list, and Steel Druhm popping an uncharacteristically exuberant and punny woody over 2011’s Surtur Rising, it should come as no surprise to you that Amon Amarth’s new record was definitely on the Angry Metal Radar™. In my opinion, though, Amon Amarth has been weak since 2006’s extraordinarily mighty WOoOS (pronounced like it’s spelled), which broke them for the world market. Follow up Twilight of the Thunder God was tepid and too clean, and Surtur Rising felt like an over correction and hasn’t aged well, either. So color me skeptical: Amon Amarth hasn’t done anything for me for two records and 5 years—would that change now?”