Diablo Swing Orchestra

GosT – Valediction Review

GosT – Valediction Review

“Unusual genre crossovers are a tricky thing to get right. Done well, by bands like Diablo Swing Orchestra, they can produce brilliant music that sounds like nothing else. Done poorly, they certainly sound like nothing else. When we last saw 80s horror-themed black metal/synthwave crossover act GosT on their previous album Possessor, Eldritch Elitist noted the combination was sometimes awkward, but great when it worked.” GosTed.

Embrace of Disharmony – De Rervm Natvra Review

Embrace of Disharmony – De Rervm Natvra Review

“Stagnation is a problem. In this wondrous day and age where music can be shared across the globe at a mere few clicks, you’d think that “too much of the same” in metal would be a laughable concept. Instead, it’s an actual problem. An uncountable number of fledgling bands are being influenced by the same big acts and creating essentially the same sound over and over again. There is nothing more exciting in this musical sphere than a band that breaks the cycle of stagnation, who smashes through stereotypes and clichés both to rise above the rest and revitalize their sad, tired genre. Symphonic metal, I give you Embrace of Disharmony and their sophomore effort: De Rervm Natvra.” Symphonies of slickness.

Qantice – The Anastoria Review

Qantice – The Anastoria Review

“Somewhere in my timeline of metal fandom, the term “symphonic metal” ceased to act as a flame for my moth-like tendencies. It’s difficult to pinpoint exactly when this occurred, but the source is not. Over time, artists began to implement symphonic elements as less of an enhancer and more of a blatant crutch. Bands utilizing full orchestrations have proven so successful under the Nuclear Blast banner that the ensuing deluge of Nightwish and Dimmu Borgir knock-offs still taints the AMG promo sump to this day. And that’s part of what makes Qantice so dadgum charming: they play highly ambitious symphonic power metal on their own terms.” Symphony for the Devil.

Between the Buried and Me – Automata II Review

Between the Buried and Me – Automata II Review

“July is “Part Two” month for me, and first up is the second half of Between the Buried and Me’s double album, Automata. Take a moment, if you will, to reacquaint yourself with the first half of this opus. Too lazy to click: Well, to summarize, BTBAM wrote their usual long album, but new record label Sumerian suggested they split it in half and stagger the release. That allows those folks who can’t stomach an hour of music to take it in smaller bursts.” A band of many parts.

Hardcore Anal Hydrogen – HyperCut Review

Hardcore Anal Hydrogen – HyperCut Review

“Greetings, internet traveler! My name is Eldritch, and I’ll be your guide on this unexpected detour to Angrymetalguy.com. I’m sure you’re wondering how you ended up at this humble metal blog. You see, the metal community is a distinctly no-filter bunch, which inevitably generates quite the colorful array of band names and album titles. As a direct result, consumers of discerning taste may find themselves unwittingly whisked away via a search engine to our humble blog while in search of ‘black fucking,’ ‘piss vortex,’ or, in your case, ‘hardcore anal.'” A foul wind blows.

Angry Metal Guy’s Top 10(ish) Records o’ 2017

Angry Metal Guy’s Top 10(ish) Records o’ 2017

“We are getting dangerously close to being 9 years old. I started AngryMetalGuy.com at a time when I was a different person, and 2017 proved that more than any year of my life. I loved metal, I loved to write, I was looking for work and studying Swedish, and I was still in my 20s, and Enslaved was producing albums I worshiped. Now I’m older, busier, crankier, Enslaved mostly makes me yawn, and I’m dedicating my life to different kinds of things. But while AMG isn’t quite as ‘personal’ of a blog as it once it was, I still love it very much and it is still a reflection of my values on the Internetz.” Herein, Angry Metal Guy waxes nostalgic, bitches about stuff, and makes a big list that you will all hate because you’re objective.

Madam X’s Least Disliked Five(ish) of 2017

Madam X’s Least Disliked Five(ish) of 2017

“And with a mighty cold flourish, twenty-seventeen makes her exit! While it’s not been a bad year by any means, it has been a more demanding year than I expected, with fewer opportunity for music listening and writing. Regulars to AMG may have noticed, going back a few months now, that I’ve pretty much been absent from the Reviews section of the site.” Come back or your creepy doll collection meets Mr. Shreddy.

Diablo Swing Orchestra – Pacifisticuffs Review

Diablo Swing Orchestra – Pacifisticuffs Review

“Back in ’12—when I was wearing an onion on my belt, as that was the fashion at the time—I encountered Diablo Swing Orchestra for the first time. These Swedish purveyors of the abstract and absurdly catchy had composed an album entitled Pandora’s Piñata that I downright loved. DSO went into hibernation after PP and resurfaced again with the news that their long-time vocalist AnnLouice Lögdlund was leaving the band. Lögdlund’s considerable lung capacity was replaced with Kristen Evegård, but unlike other band breakups when you lose a vocalist, DSO kept most of the rest of the band in place and produced a new album. 2017’s newest record is the wittily entitled Pacifisticuffs, which coming from Swedes is a great way of describing what appears to be the Swedish cultural state of nature.” Conscientious objections.

Pristine – Ninja [Things You Might Have Missed 2017]

Pristine – Ninja [Things You Might Have Missed 2017]

“It might not have been the best year for male vocalists, but the women in metal more than made up for it. Stellar performances from bands as varied as Royal Thunder, Sabbath Assembly, Chelsea Wolfe, Myrkur, and Diablo Swing Orchestra showed us that the women can bring it. But the best performance of the year came from a band whose album flew under our radar back in June, Pristine, and their fourth album, Ninja.” Women to the front!

Seven Spires – Solveig Review

Seven Spires – Solveig Review

“Enter Seven Spires, a Boston-based act I blindly picked as a personal punching bag after going soft from weeks of reviewing great material. Featuring Adrienne Cowan of Light and Shade (a band we largely panned last year), their debut Solveig, armed with the most excruciatingly mediocre cover art of the year, is doomed to fail… right?” Books, covers, judgments, etc.