Behold! A list of pretty good stuff from February of 2023 that you almost certainly missed! All shall kneel before the Filter and despair!
Diabolical
Destruction – Diabolical Review
“This year will see new releases from two of the Big Three of German thrash. Destruction are up first with fourteenth album Diabolical, with Kreator to answer in June. Though Destruction was my favorite of the Big Three during much of the 80s due to the cooly quirky, borderline black metal style of albums like Infernal Overkill, Eternal Devastation and Release From Agony, their later-era releases have been very hit or miss.” Over or underkill?
Sodomisery – The Great Demise Review
“Sweden’s Sodomisery began as a project that included live members from the monstrous Diabolical, as well as Katatonia’s Niklas Sandin on bass and Netherbird’s Johan Fridell on vox. At the completion of their 2017 self-titled EP, Fridell and Sandin left and a new lineup formed. Borrowing from their experiences with Diabolical, Sodomisery unleashes a crushing mix of black, death, Swedeath, thrash, and melodeath for their debut, The Great Demise. I know what you’re thinking: that’s a lot to digest. Well, at least the record title sounds uplifting?” Big death, big prizes!
Zornheym – Where Hatred Dwells And Darkness Reigns Review
“First, a question: do you love King Diamond? If the answer is no, you’re dead to me. If the answer is yes, congratulations; my definitive opinion deems you worthy. If, however, you’ve always been enticed by the inherent fun of the King’s horror-fiction but have never been able to click with Bendix’s unique vocals, or perhaps found the music a little lacking in extremity, then… you’re dead to me. But fear not, fallible one, a saviour crests on this wan-mooned abyss of night. Zornheym, a Stockholm based predator culled from the likes of Dark Funeral, Diabolical, and Facebreaker, have collectively extended their talents into a symphonic project whose oeuvre borrows from both black and death metal.” A one way ticket to the nervous hospital.
Satyricon – Satyricon Review
“I don’t know what’s more unusual — the fact Satyricon are still around or the fact that one of the most pivotal Norwegian black metal bands are signed to Roadrunner. It’s probably fairer to judge the band by their merits instead of their label, and their laurels are notable. With such 90s classics as Dark Medieval Times and Nemesis Divina still held as black metal masterpieces even now, it’s hard to question their relevancy to black metal history. They’ve also had some arguably decent albums in the past decade too, but what about now and how does their self-titled LP stand up to its forbearers?” Noctus delves into one of the most anticpated albums of the year and let’s us all know if these evil wood trolls still have the dark magic of olden days.
