“In 2013, I attended a concert in Santa Fe, New Mexico, with hopes of seeing Intronaut and Scale the Summit. However, because I’m a good little Hollow, I decided to stop in for the openers. The youth center in which this was played was scrawled with graffiti in the dim lighting, and the stage was a makeshift affair about a foot or less off the ground, and a row of beaten couches comprised the seating. When I was welcomed into the concert area, Albuquerque quartet (at the time) Distances came up, a band whose numbers rivaled the audience members. There we stood, bobbing our heads to a post-metal sound whose colossal quality blew the roof off the shady little venue.” From youth center to center stage.
Distances
Distances – Diableries Review
“Distances’ Diableries has a pretty cover, but one I’ll always remember for a subtle flaw. The Albuquerque-based post-metal unit’s new full length comes beautifully dressed in auburn hues, cloaked in North American fauna. Monarch butterflies cloak the figure, and wrapped around the neck — sorry, what kind of snake is that? Some unholy graft of king snake and rattler, it seems. Perhaps it’s a symbol — the harmless given fangs — though it seems hardly worth it to have a dangerous snake mimic a harmless snake that mimics a dangerous snake. Yet the album embodies these conflicting layers, shuttling its death metal riffing past a mournful violin resting on aphotic sludge muck. Is Diableries dangerous? Or is it a lonely soul, wearing another’s colors to ward us away?” Serpent surprise.