The fusion of black metal and doom is a finicky one. With a vast repertoire in both reported palettes, the sounds and combinations are as diverse and unique. Spain’s Dantalion specializes in a blend of the Gothic doom enchantments of My Dying Bride or Saturnus and the lightless whimpers of Silencer or Lifelover. Their ninth full-length Fatum is as melancholic and hopeless as its themes suggest: the inevitability of fate.” Doom looping.
“Unguilty’s legacy of misery dates back to 2018, having released two full-lengths, an EP, and a split with fellow Brazilians, Fentanil. Gray is DSBM, and everything you expect, but amplified with a mammoth doom heft, the emotional devastation reigns supreme. Perhaps an interpretation of Saturnus’ underrated Veronika Decides to Die.” Days of Gray.
![Death. Void. Terror. – To the Great Monolith II [Things You Might Have Missed 2020]](https://www.angrymetalguy.com/wp-content/uploads/2020/11/Death_Void_Terror-To_The_Great_Monolith_II.jpg)
“One of my main motivations regarding black metal is finding albums like this. Offerings from Ancient Moon, Dolorian, or Amnutseba have come close, hinting at a devastatingly empty atmosphere and pitch-black density through aural executions of dread that invoke the feeling of drifting in the eternal void. Attempts have never really hit the sweet spot, until Death. Void. Terror.’s 2018 debut To the Great Monolith.” Monoliths R Us.
“Wondering why the band is called Swallowed? So was I; at least, until I put Lunarterial on for a spin. It was easy enough to work out after their musical palette aggressively assaulted my eardrums; their music swallows you whole and holds nothing back.” Prepare to be consumed by some nasty doom death.
