“The act’s history is one associated with Sleep worship. Fuzzy riffs, croons thick with weed, and mammoth drums did little to distinguish from the masses, and their moniker became a comical reflection of the music contained within. Both Temple of the Fuzz Witch’s 2017 self-titled debut and 2020 follow-up Red Tide followed this Black Sabbath but haze-filled, orange amp- and MountainKing Megalith-fueled weight.” Fuzz is the new buzz.
“The departed Huck N’ Roll, who has not been reduced to a nutritious paste designed to keeps n00bs clinging to life, loved up on Domkraft’s 2021 release Seeds. Huck considered the third album by these Swedes to be the best stoner/psych doom album of that year. The readership shared his enthusiasm to a point, while also noting that the effort felt like psychedelia as played by those who eschew psychedelics. I agreed with both camps; Seeds is a fun listen, but it does occasionally seem like the work of three talented members of the school orchestra who drank some punch spiked with liquid acid at the prom.” You put the seeds in the bongonut.
“If you didn’t know there was some link between Crippled Black Phoenix and Johnny the Boy, you would be hard-pressed to divine it by listening to You alone.” Johnny B. the Good Boy.
“Nothing moves quickly in the world of San Francisco cult stoner-doom stalwarts Acid King. From expansive, dreamy psych-smattered jam sessions to low and lazy stoner-doom riffs, and groovy plods, through to their sporadic recording output, Acid Kin do shit at their own relaxed pace. And in the realms of kaleidoscopic, thick, heavyset stoner-doom, Acid King do it well and never disappoint.” Acid King can do…anything.
“I have a complicated history with doom metal. While there are groups like Electric Wizard or High on Fire that I tend to turn to for my fuzzy, morose fix, I have more trouble with the deathened doom variety. Sure, you can’t shake a stick at the likes of Asphyx (and why would you? They’re old men and so very brittle), but executed poorly, you mix doom’s plodding passages with DMs unrelenting barrage, resulting in a bloated, brickwalled concoction that leaves your eardrums ringing and your watch over-checked. Be that as it may, I’ve been proven wrong before (except for our split review of Temple of Void’s latest) and there’s always something new to discover.” Good grief?
“80s style doom metal is as rare these days as an honest person in politics. Bands that did it so well back in the day are all but extinct and even promising younger acts like Pallbearer and Khemmis who teased the rebirth of the style sagged under the weight of it all and drifted off to greener pastures. To this dark tableau come Friends of Hell, the classic doom project spearheaded by members of Reverend Bizarre and Electric Wizard.” With friends like this…
“With summer fast approaching in my neck of the woods, some good old stoner rock vibes are always welcome. Up and coming Toronto act Sun Below are dropping their debut self-titled album and all the ingredients for a good old time in the land of fuzz and sand are in tow. Sun Below boast a stripped back, garage-y production, fat guitar and bass tones, laid-back jammy vibe, lots of trippy psychedelic flourishes and crude, no-nonsense vocals.” Sun, sand, stoners.
“Indiana’s Rat King have been skulking around the Midwest since 2016, tweaking their classic stoner doom style and releasing a few singles and EPs, with Omen being their debut full-length. Their promo package namedrops genre greats like Kyuss and Electric Wizard and speaks of an exploration of the darker elements of the human condition while promising haunting, evocative vocals. This is the PR milkshake that brought Steel to the yard.” Rat holes in Sky Valley.
“This album cover might be enough to scare away the more discerning fans, but we here aren’t paid to run away in fear or confusion. Nor are we paid enough to afford a pair of 3D glasses, which might be handy to see this artwork in its intended form. It is a messed-up, psychedelic trip of an image, to be sure, and in some ways it foreshadows what is to come on Seeds, the third album from Swedish doom/sludge/psych trio Domkraft.” Seedy fuzz.
“Every now and again, even I stumble across an album that I struggle to overwrite and, in this case, that is because a terrible mistake was made. I picked up I, the debt by Canadian-German duo Alexander after spotting it, alone and unattended in the promo sump, sporting a funeral doom tag. Only it didn’t say funeral doom, it said funeral drone, something I realized only after the No Takesie Backsie policy had kicked in.” Strong policies, harsh consequences.
