Evanescence

Infected Rain – TIME Review

Infected Rain – TIME Review

““Progressive” is one of the most flippantly applied adjectives we have for genres today. “Modern” is equally abused, so one can imagine the clanging of alarm bells when the promo sheet for Moldova’s Infected Rain described the band as “modern progressive metal.” But I’m not one to judge a book by its cover, even if said book devolves into the Buttgate of late January. Plus vocalist Elena Cataraga goes by the stage name Lena Scissorhands, which means I get to write the word scissorhands a lot in this review, a tiny joy I never thought I’d experience.” Touchy slicey.

Elyose – Déviante Review

Elyose – Déviante Review

“Why do we find ourselves in the midst of a nu renaissance where bands like The Offering throw down like it’s ’03 and genres like slam can shamelessly quote groove under the guise of gore? Well, it seems that some also grew up to incorporate their first loves into their art. Elyose, an act of that breed, urges you to embrace your inner jumpdafuckup with a French language tour-de-force of alt-rock meets gothy vibes with nu and industrial accouterments on Déviante.” What’s olde is nu.

Vajra – Irkalla Review

Vajra – Irkalla Review

“After confusing body/soul searching I opened my third eye to Irkalla. Following the band’s advice to light a candle (I could only find a mulled wine scented candle from Christmas) after midnight I listened to the record, enhancing my journey into the esoteric darkness of my soul. What I found, deep within, was dark.” Block the chakras.

Brothers of Metal – Emblas Saga Review

Brothers of Metal – Emblas Saga Review

Truth be told, there’s a decent chance that I wouldn’t be here writing within these hallowed halls without Brothers of Metal. You see, back in 2017 I was a mere lurker at AMG, and might have been content to continue in that capacity if I hadn’t seen a commenter recommending Prophecy of Ragnarök, the debut from the aforementioned Swedes. I checked it out and fell so hard for its sometimes hilarious, sometimes deadly serious take on Norse-mythologized folky power metal that I felt compelled to create a Disqus account just so I could express my thanks to the recommender.” Brother hugger.

Indefensible Positions: TheKenWord Defends The Open Door

Indefensible Positions: TheKenWord Defends The Open Door

“Every once in a while the metal scene collectively pisses on a band or record and someone needs to step up and defend why they like it. We normally don’t spend a lot of time defending shitty records, but sometimes genuinely interesting or good records get lampooned by an overly conservative heavy metal scene and that calls for a professional contrarian to defend it! If ever there were professional contrarians, it would be the staff of AMG.” Cred and buried.

Within Temptation – Resist Review

Within Temptation – Resist Review

“The times they are a changing. Once not so long ago, Within Temptation was in the vanguard of symphonic metal, powered by the wonderful voice of Sharon den Adel. Early albums like Mother Earth and The Silent Force balanced dark moods with accessible songcraft, and though they were never a super heavy outfit, their overall style fit well enough in the metalverse. Over time their sound became more glossy and pop-centric, drifting closer and closer to alt-rock, culminating in the commercially grasping dumpster fire that was 2014s Hydra. Four long years have gone by without a followup, reinforcing the bad taste that album left behind.” Resistance is brutal.

Secret Rule – Machination Review

Secret Rule – Machination Review

“Remember Amaranthe? Say what you want about them as a metal band (which, if you’re being six figure tax return levels of charitable, would be “not so great”), but as a pop band they’re alright. Massive Addictive was catchy, regardless of the fact that it was meticulously crafted by Swedish pop robots, made of 100% candy-coated processed cheese, and equal in substance to a sugar rush. Italy’s Secret Rule is pure processed cheese too.” Cheese and sugar go together like dynamite and napalm.

Graveshadow – Nocturnal Resurrection Review

Graveshadow – Nocturnal Resurrection Review

“While the name Graveshadow would suggest a band dabbling in a number of genres, the album art pretty much narrows that list down to a select few. Just seconds into Nocturnal Resurrection and all your wonder transforms into 100% certainty. This album clearly bleeds with the Nightwish-washy inklings of symphonic keys and power-metal attitude. I suppose this makes sense being that this sextet hails from the magical forests of Finlannnn… oh wait.. Sacramento.” Hamster, a dentist! Hard porn, Steven Seagull!

In Tormentata Quiete – Cromagia Review

In Tormentata Quiete – Cromagia Review

“”Emphatic Music.” This is how the PDF file describes the accompanying Cromagia, the third album by Italian septet In Tormentata Quiete, in which the band blends theatricality, black metal, and progressive folk elements into a heady mixture. According to the bio, Cromagia revolves around the concept that our existence is colored by emotions, and the music explains how these songs are an interpretation of said colors. So is this a melting pot of the prismatic rainbow colors of humanity, or is it just a puddle of crayons left out in the sun for too damn long?” Roy Gee Biv and all the chromatic death crew are here to paint you a memory.