GardensTale has assembled all the best art for his yearly exhibition. Put on your Sunday best and try to act cultured as he explains art appreciation to you filthy clods.
Evile
Evile – The Unknown Review
“As a die-hard Metallica fan in my teens, I worshipped their first 4 albums mightily, and since Evile’s entire existence seemed to be based on mining the best of Metallica’s early days for inspiration, it seemed they would be easy to love.” Well knowns and Unknowns.
Bloodstock Open Air 2021 Review: Pandemic Festival Pandemonium
“In the words of Rob Halford during Judas Priest’s two-hour headline slot: “Britain’s premier heavy metal festival is back.” Yes, cranky Covid’s delta wave dangerously hovered over the pit like clouded sweat but after a few strong ciders and a crunching riff – experienced live for the first time in over 18 months – the external world became a distant memory.” Metal never dies.
Havok – Conformicide Review
“I’ve had March 10th circled on my calendar for a while now. Since 2011s Time Is Up, I’ve adored Denver rethrash act Havok. Follow-up Unnatural Selection failed to live up to expectations, but I’m still playing Mr. Conductor on this episode of Thomas the Hype Engine.” Trains, pains and double reviews.
Evile – Skull Review
“Evile has always occupied a strange space in the re-thrash movement. They seem to be one of the big wigs in the scene, yet I hear far less buzz about them than many other retro acts. They are also one of the few bands to eschew the common Slayer, Exodus and Testament mimicking in favor of a much more traditional Metallica influence. Their sound generally exists in the phantom zone between the Master of Puppets and And Justice for All eras and the later works of long overlooked Wargasm.” That combo sounds like a can’t miss, right? When you’re talking about skull tank music, you can never be too sure, so you better find out where Steel Druhm stands on the Skull.
Destruction – Spiritual Genocide Review
Happy Anniversary to Destruction!! 30 long years in the thrashing biz and biz has mostly been good. To help celebrate, they delivered a brand new album for our listening enjoyment. Steel Druhm dons his party hat and tells us if Spiritual Genocide is a party thrasher or a party crasher.
Evile – Five Serpent’s Teeth Review
My, how times and tastes change. When I first signed on as a newbie writer for Angry Metal Guy Industries, I was happy and content with all the musical trends in the metalsphere (save anything core, of course). Now, a scant year and a half later, I’m pretty much burned out on black metal and I’m even getting weary of my (formerly) beloved retro-thrash wave. At this point, the trend feels beaten back to life then back to death again. While a few of the recent thrash releases stood out (Toxic Holocaust for one), as a rule the scene feels tired and old like it did toward the end of the original wave. That brings us to the U.K.’s Evile. Their 2007 release Enter the Grave was a nice shot in the arm of vintage thrash but their follow-up Infected Nations took on too much of a progressive mid-period Metallica vibe and bored more bashed (although AMG dug it well enough). I was hopeful they would return to their more aggressive style on Five Serpent’s Teeth and while they did, this ended up too generic and unoriginal to really get me worked up into a thrashy lather. However, its undeniably well-executed, generally engaging speed with enough technical ability to impress and a few standout cuts.
RIP Mike Alexander
I had a scheduled interview with Evile in Stockholm, but so sadly the bassist for that band passed away from an acute illness that he contracted in LuleÃ¥, Sweden on the 5th of October. Mike Alexander died at the age of 32, and just as they were starting a big European tour with metal monsters […]
Evile – Infected Nations Review
Thrash revival has been a big deal of late. I mean, thrash is the biggest thing since.. well, thrash, in the metal scene right now. Bands from all over the world, particularly in the underground, are donning tight jeans, jean jackets, Kreator and Exodus patches and looking for the next big thrash prodigy. Earache is not the only label releasing thrash revival stuff, it’s coming from everywhere (Candlelight has been particularly prolific with the thrash revival). Evile is on that bandwagon, whether they like it or not, but they have a different take on it. That is: they sound a lot more like the mature Bay Area.
