ExtermiNation

Raven – All Hell’s Breaking Loose Review

Raven – All Hell’s Breaking Loose Review

Raven, like Saxon, Satan, and Iron Maiden, were part of the NWoBHM that conquered the world in the early 80s. Prime platters like Rock Until You Drop, Wiped Out, and All for One were fast, furious, and goddamn rowdy doses of attitude, balls, and poor behavior, and they were always the undisputed bad boys of their scene. Some 42 years on and they’re still functioning and releasing new albums on a regular basis, making them part of an increasingly exclusive NWoBHM Survivor Series.” Quoth the Raven “Taste the floor!”

Exterminated – The Genesis of Genocide Review

Exterminated – The Genesis of Genocide Review

“Look, you know as well as I do that this is going to be brutal death metal. The cover, the band name, the label, and the album title all definitively point in that direction. No amount of clever misdirection can draw anyone who’s spent even twenty minutes listening to some “intro to brutal death metal” playlist astray from this fact. Even the biography of Exterminated – two members, one doing all the guitars and programming the drums, the other doing vocals – screams brutal death metal.” Generic genocide.

Raven – Metal City Review

Raven – Metal City Review

“Ah, Raven. Lovable goofballs from the dawn of the NWoBHM, perhaps best known for having a drummer who wore hockey equipment and their rather exuberant brand of “athletic rock.” Having been a teen during the dawn of this bygone era, I ate up most of Raven’s discography through the eighties, and played my All for One cassette to the point of it being worn out. Sadly, the band’s attempt to join the ranks of the hair metal bands with 1986’s The Pack is Back was a bad move that alienated the band’s fanbase, and they never really recovered.” Metal City. The city by the bay.

Raven – ExtermiNation Review

Raven – ExtermiNation Review

Raven is somewhat of a metallic riddle. Having been around since 1974 and considered one of the banner bearers of the NWoBHM invasion of the early 80s, as well as a major influence on the thrash genre, they never gained as much traction as one would expect. Like Anvil and Krokus, they seemed poised on the precipice of greatness, but a combination of bad timing, poor decisions and the fickle mistress that is metal fandom conspired to bring them low and deny them their due.” But they’re still here, and they can still metal. Can you say the same?