“‘I hope this is one you’re reviewing and you didn’t actually buy it,’ said my fiancée less than thirty seconds into this album. Why? I won’t spoil it so early on, but if ever a band’s sound suited their name, the sleazy, leering proto-punk of Bay-area throwbacks Lecherous Gaze would fit the bill.” So sleazy it’ll leave a stain on your speakers.
“You know all about our stance on so called “supergroups” at his establishment. The whole concept of a group of superlative (or at least well known) musicians coming together to form an exciting new project invites heightened expectations, and all too often the end product is a let down. Of course there are exceptions to the rule like Arch/Matheos and of course, that awesome Metallica / Lou Reed collaboration, but as a rule it’s best to approach these things guardedly. That brings us to today’s subject – a project by former Fates Warning guitarist Victor Arduini and Argus vocalist Brian Balich.” Big doom for big men and women.
“Bloodbound has been altering their approach from album to album in an attempt to find some mythological metallic sweet spot. Starting life as a cracking traditional metal group, they subsequently drifted into borderline Euro-power and back several times with varied results. On 2014s Stormborn they took things quite deep into D&D Euro-puffery territory with a threadbare Game of Thrones concept.” When you play the Game of Cheese, you win or you fry. Mmmm, fried cheese….
“Sweden’s Siberian – with their second full-length Through Ages of Sleep – have transferred the contents of their dream journals into the realm of post-metal. Through their music, they present consciousness in flux with the physical fading into the incorporeal. The question is: is there enough tangible tastiness here to give weight to the fluffy incoherence of the dream world?” Dreamy post-metal? Is this all a dream?
“It always disheartens me when bands with so much potential turn to ash shortly after burning brightly. For instance, remember the buzz surrounding Belgium’s Serpentcult? Their 2008 debut Weight of Light caught many a doom aficionado’s ear with their sludged-out grooves, crushing basslines, and the otherworldly vocals of Michelle Nocon. Fast-forward three years, and the Nocon-less follow-up, Raised By Wolves, while still heavy and uncompromising, lost its spark with her departure. Now here we are in 2017, and Nocon’s plying her voice in a new band.” Can the Nocon magic happen twice?
“My grim compulsion for all things death metal was initially born from a worship of the burgeoning Floridian and Swedish scenes, spawned originally as a continuation of my immortal love of thrash. I was immediately addicted to the genre’s inherent heaviness and dark theatricality, but it wasn’t until I eventually stumbled into the path of the New York acts, who heralded a denser, altogether heavier wave of death, that I would come into contact with Immolation, marking the first time I would be exposed to truly oppressive metal.” Proudly oppressing the masses since 1988.
“They say it’s important to remain challenged, to help stave off boredom and keep the motivation and creative fires burning. Life certainly throws up plenty of challenges without invitation in our fast-paced and volatile modern world. But with music, and extreme metal, in particular, we have a unique outlet and greater control to challenge ourselves. Unfortunately, it’s easy to rest on our laurels and stay firmly entrenched in our comfort zones.” Into the riff maelstrom.
“There is no shame in having loved and lost – it’s a natural part of life and, as sure as the world turns and the seasons pass, as inevitable as our own eventual end. Love and death are two themes that are routinely romanticized, despite their irrefutably painful reality. By extension, The Netherlands’ Antropomorphia are also romantics… although not in the Byronic sense you might be expecting.” Strange, illegal love indeed.
“I’ve noticed something weird about me and death metal over the years. No matter how much of it I listen to, it seems like there’s always at least one more big-name underground band that I’ve somehow never come across. Recently, that band came in the form of Dutch quintet Sinister.” Where the hell have you been, Z?
“Complexity is an issue which many an academic seem to confuse with quality — the same can be said of progressive music as a whole. Sure, intricacy is a hallmark of the genre, but sometimes less is more. England’s The Mute Gods are a particularly fine example; a crew of dyed in the wool musicians pumping out highly musical platters of prog rock with lashings of memorable pop-rock sensibility.” Pop-prog is a thing now?
