“Calgary’s Upir dropped the absolutely and wonderfully noisemongering Effigy for the Fiercest Frost – Shadows Dance in the Fires of Yule, which achieved a meditative effect across two tracks in its blend of thick ambiance and raw black metal – landing as one of my biggest surprises of 2021. As another surprise, the enigmatic act dropped their first full-length proper out of nowhere.” Surprise bone call.
“I was rooting for Terra. About two years ago when this English trio released their untitled debut, I thought the group had the potential to breathe fresh life into the so-called “Cascadian” black metal scene that had been losing steam for the past few years. Nevermind that they aren’t technically from the Pacific Northwest…” Cascading is the new voguing.
“I will admit off the bat that I did not know what I was walking into with Ash Borer. They were a random pick, as our promo sheet is currently blacker than an Ad Reinhardt ten-part series on being born blind. I missed the boat on the so-called “Cascadian black metal” scene after several unsatisfying jaunts with Wolves in the Throne Room, but I’m down to see what all the hype is about.” Hype can truly be a bore.
“When you get right down to it, the world fucking sucks. Even ignoring the current political situation in my home country and the environmental degradation occurring globally, what really gets me are the everyday frustrations. My printer stops working. My friends don’t text me back. My fucking car gets towed because it’s parked a few inches closer to the road than it’s supposed to be. Sometimes it feels like we’re all just stuck in a mad carnival of constant digital interruption and arbitrary regulation, to the point where we either drink ourselves to death from anxiety or say “fuck it all” and go live in a shack in the woods somewhere.” Doom Shack! Rusted.
“I loved the Cascadian/post-black metal craze, but let’s be honest: that bubble burst at least two years ago. After the umpteenth Wolves worshipper appeared (Addaura, Alda, Ash Borer – need I move past the ‘A’s?’), the mystique wore off and the music turned predictable.” Spring has sprung, and in case the snow hansn’t cooled your outlook, here’s some black metal to further harsh your mellow.
“Say what you like about the U.S. black metal scene, they know how to make so much out of so little. The number of American bands taking black metal in its arguably most minimalistic form and taking it in much more ambitious directions with long and winding song structures is quite staggering. But when you consider the roots of the black metal scene in the US, and the opus that made arguably the biggest impact on it, it doesn’t seem so surprising that so many bands follow almost directly in the footsteps of Weakling’s widely acclaimed album, Dead as Dreams. Noctus traces the family tree of USBM and gives a little insight on how it influences the new opus from Obsidian Tongue. BTW, that name sounds like a fruity tropical drink that comes with a tiny umbrella.
