Folk Metal

Burden of Ymir – Heorot [Things You Might Have Missed 2023]

Burden of Ymir – Heorot [Things You Might Have Missed 2023]

“Joe Caswell, of Ontario, Canada, is having quite the year; his newest band, Swamp Fiend, released their debut full-length this year, and both of his solo projects, Drowstorm and Burden of Ymir, put out new releases within two weeks of each other. It would be understandable if these solo releases were only fine; it would be impressive if they were decent. But instead, they’re actually good, and Burden of Ymir’s Heorot in particular stands as a shining example of folky black metal, playing with a level of quality that would make you think it’s the only thing Caswell had worked on all year.” Idle hands and such.

Myrkur – Spine Review

Myrkur – Spine Review

Myrkur apologists and her detractors both have a point. Her 2015 debut M succeeded as folky black metal, but aped predecessors like Ulver’s Bergtatt (1995). Two years later, Mareridt established a unique voice for Myrkur, but suffered from inconsistency. 2020’s Folkesange abandoned metal in favor of acoustic folk. A resounding success and an easy 4.5, Folkesange thrived on Amalie Bruun’s vocal melodies and her knack for arrangement. Its highly anticipated successor Spine resurrects Myrkur’s black metal roots amidst dreamy pop and mid-paced rock.” Crouching pop star, Myrkuring dragon.

Sylvatica – Cadaver Synod Review

Sylvatica – Cadaver Synod Review

“Danish melodic folk death quartet Sylvatica has been around since 2009, with two full-lengths plus an assortment of EPs and singles under its collective belt. The band’s debut EP, Sagn og sagaer, had a stomping folk metal edge to it that recalled early Blind Guardian but with harsh, growling vox. By the time of their first LP, 2014’s Evil Seeds, Sylvatica’s sound had evolved somewhat, bringing them closer in tone to Skyfire or maybe Stormkeep, while on their sophomore outing, Ashes and Snow (2021), that progression continued.” Evolve or die a corpse.

Iskandr – Spiritus Sylvestris Review

Iskandr – Spiritus Sylvestris Review

“The Netherlands has a very healthy black metal scene, with many bands using peat-bogs and Germanic folklore as inspiration. Until recently, Iskandr was part of that tradition. Twelve gave the band a mixed review last time, and clearly, this caused a major identity crisis in drummer M. Koops (Fluisteraars et al) and everything-elser O. Iskandr (Dool, Turia et al). Because Spiritus Sylvestris marks a huge shift in the band’s sound, going from shrieking and blastbeats to pastoral atmospheric doom.” Horse of a different color.

Hexvessel – Polar Veil Review

Hexvessel – Polar Veil Review

“A few years ago, I proved that you can in fact judge a record by its cover, at least where genre is concerned. When Dear Hollow posted the art for Polar Veil in the staff room, my immediate reaction was that I was too Hexvesselled out to review another. Their weird, whimsical folk-psychedelia is right in my wheelhouse, but by album five, I was starting to feel that they’d run out of ideas. But I couldn’t stop looking at the art, with its great looming figure over a little snowy village.” Snowjob.

Primordial – How It Ends Review

Primordial – How It Ends Review

“”Is this how it ends?” “We are devoured by time.” The latter phrase is the first lyric on Primordial’s How It Ends; the former is one of the last. The champs of epic metal return with their first album since 2018’s Exile Amongst the Ruins and tenth overall. The new batch of material obsesses over endings and the concept of finality, filtering this preoccupation through Primordial’s long-established formula of galloping rippers and stately marches. The slab’s title and its themes reflect both the state of the world and, inevitably, the state of Primordial.” Glory fades.

Skálmöld – Ýdalir Review

Skálmöld – Ýdalir Review

“Though Skálmöld does possess a weirdness with their hundred-guitar lineup and varying vocal styles, they combine the storytelling of Týr with the savagery of Fintroll. The result is some rather adventurous music with flailing riff changes, mead-swigging layers, and unexpected transitions from barks, rasps, and cleans. As one would expect, sometimes all this sorcery falls flat or straight-up doesn’t work. And after engaging with 2019’s Sorgir, I fear the band might be stuck in a well with great performances but incohesive songwriting and flow. Once I find the link to this fucking stream, I’ll let you know how Ýdalir fares.” Black möld? Comeback möld?

Dun Ringill – 150 – Where the Old Gods Play – Act 1 Review

Dun Ringill – 150 – Where the Old Gods Play – Act 1 Review

“I’ve always been supportive of bands branching out a little bit from their comfort zones to stretch their limbs, check out new haunts, or just freshen up their catalog a tad. Sometimes, some peanut butter needs to be added to your chocolate to make things lively and exciting. So when Swedish doom metal sextet Dun Ringill, a band I’ll admit to never having heard before, decided to add some progressive elements to their particular brand of folk doom, well… I was intrigued.” Dun and done.