Forgotten Tomb

Hiems – Stranger in a Wasteland Review

Hiems – Stranger in a Wasteland Review

“You may know Algol from his tenure as the bassist of depressive black metal giants Forgotten Tomb, but chances are you’re unfamiliar with his solo black metal band Hiems. Despite two decent albums in the 2000s, it seemed Hiems’ destiny was to remain obscure, as Algol chose instead to focus on Forgotten Tomb. Now, after a whopping 14 years of dormancy, Hiems is poised to release Stranger in a Wasteland. Algol has pulled out all the stops to reinvent Hiems.” Reinventing the atmobluss.

Austere – Corrosion of Hearts Review

Austere – Corrosion of Hearts Review

“Atmospheric black metal has long been relegated to the woods and to the peaks – to the frigid north. Neglected has been another form of desolation. While the abyss has many names, whether nature offers its lush arms of shelter or the lament of desolation can be heard across the cruel cityscapes, we think cold and bleak. When fused with the depressive and suicidal musings of life’s cruel hand, we seek shelter in ColdWorld’s snow-laden shores, smell the whiff of Silencer’s smoking gun, or indulge in Lifelover’s melodramatic puppetry. We typically don’t think desert, desiccation, or aridity; Austere does.” Sand-tyricon.

Glorior Belli – The Apostates Review

Glorior Belli – The Apostates Review

“France: the last bastion of sophistication. Even its black metal has a sophisticated propulsion, its lyrical themes of the up-turned nose, deep in thought variety searing through deeply-challenging avant-garde compositions. I wonder why extreme metal continues elsewhere when France has sharpened the genre to the point of near perfection? The dissonant shock waves of the French scene should crumble the simple-minded bones of music in other countries, surely. But no – Scandanavia, America, Germany, Britain, South America and other such facile nations continue to churn out music that scratches the heart and offends the brain. This has to stop!” Running with Billy Bayou.

Deinonychus – Ode to Acts of Murder, Dystopia, and Suicide Review

Deinonychus – Ode to Acts of Murder, Dystopia, and Suicide Review

“I’ve been meaning to check out Deinonychus for one simple reason: I fucking love dinosaurs. Fellow dino nerds will know that Deinonychus was a fearsome predator of the early Cretaceous period, closely related to the infamous Velociraptor and with a name that means ‘terrible claw.’ It’s a badass band name, and though this Dutch trio doesn’t sing about slicing open unsuspecting sauropods, their music is no less compelling.” Music to go extinct to.

Bethlehem – Bethlehem Review

Bethlehem – Bethlehem Review

“With Christmas just around the corner, it gives me wry amusement that Bethlehem are about to unleash their latest slab of blackened thrash on the unsuspecting masses. Tis the season and Bethlehem are in a very giving kind of mood!” Grim yule tidings.

Dodsferd – Wastes of Life Review

Dodsferd – Wastes of Life Review

Wastes of Life hit me at my most unprepared. Billed as “unapologetically defiant and shockingly melodic” including a statement from Wrath to the effect of “My new album is one of my most soul-destroying albums. It was written under feelings of frustration and disgust.” my expectations were high.” You know, there just aren’t enough soul-destroying albums out there these days.

Vaee Solis – Adversarial Light Review

Vaee Solis – Adversarial Light Review

“Portugal’s Vaee Solis don’t have much experience administering slow tempo lashings steeped in thick doomy riffs, or for that matter, flogging you mercilessly with shrieks and snarls loaded with blackened ideology. It makes sense then that they’d turn to the guidance and creative output of seasoned veterans like Celtic Frost and Venom to light their path.” Whip it good!