German Metal

Grau – Abseits des Lichts Review

Grau – Abseits des Lichts Review

“I appreciate modern black metal. The original stuff is not for me at all, but there’s something about a well-polished flame of rage that just works for me. Stepping away from pure, often theatrical, hatred and into such things as emptiness, suffering, frustration—that stuff speaks to me. So when I read that Abseits des Lichts (“Outside of the Light”), the sophomore full-length from the German black metal Grau, lyrically focuses on “pain, emptiness, and the animalistic aspect of the human mind,” well, I was, to put it lightly, intrigued.” Suffering through the holidays.

Knife – Heaven Into Dust Review

Knife – Heaven Into Dust Review

“On Heaven into Dust, Knife have done what many bands refuse to do: grow. Don’t get me wrong, there’s still heaps of Motörhead and Venom worship; plenty of gang chants and blackened vocals; oodles of speed metal chugging, heavy metal galloping, and thrash riffing; almost everything endearing about their debut still applies here and the changes are relatively minor, but they’re impactful.” Stab or prod?

Carnal Tomb – Embalmed in Decay Review

Carnal Tomb – Embalmed in Decay Review

“Prior to the Great Plague, Holdeneye discovered the vile charms of Germany’s Carnal Tomb and was quite taken with their sophomore outing Abhorrent Veneration. He appreciated the mixture of old school and Swedeath and the band’s ability to weave in restrained proggy elements without upsetting the corpse cart. Several years and many weird societal shifts later, we get their third helping of gruesome bits, Embalmed in Decay. The band’s basic template remains in place though it shifts the focus more completely to old school death with fewer Swedeath d-beatings taking place.” Sex after death.

Décembre Noir – Your Sunset | My Sunrise Review

Décembre Noir – Your Sunset | My Sunrise Review

Décembre Noir has been a model of classy consistency for four albums now. This German quintet’s long-form doom compositions wend their slow way toward weighty themes of loss and grief, mixing in some death metal tropes and tempos to keep things spry. They’ve been plodding off in pursuit of mournful majesty–or is it majestic mournfulness?–since 2014, and hitting their mark so reliably that there’s been little need to shake things up along the way.” December as lifestyle.

Sulphur Aeon – Seven Crowns and Seven Seals Review

Sulphur Aeon – Seven Crowns and Seven Seals Review

Sulphur Aeon is, as of this writing, my favorite extreme metal band. Their first three releases—the brutal Swallowed by the Ocean’s Tide, the incredible Gateway to the Antisphere, and the unforgettable The Scythe of Cosmic Chaos—represent a truly unfuckwithable hot streak of ridiculously high caliber records. So deep is my love for these German worshippers of eldritch deities that, quite frankly, it’s almost a conflict of interest for me to cover them. Yet here I am, determined to provide the public with what they deserve: a proper and thorough review of Sulphur Aeon’s upcoming fourth opus,Seven Crowns and Seven Seals.” Tendril loving care.

Iron Savior – Firestar Review

Iron Savior – Firestar Review

“As with so many German metal bands, Iron Savior doesn’t have a kill switch. They’ve been rolling out albums regularly since 1997, completely immune to the shifting tastes and trends in metal. Formed as a classic Euro-power act with legacy ties to the genre’s beginning, founder Piet Sielck has kept his vision and direction very consistent over the band’s 25-plus year voyage, delivering sci-fi-themed power with a heavier, more traditional metal punch and crunch.” Savior complex.

Kadaverficker – Superkiller (A Musical Journey Between Life and Death) Review

Kadaverficker – Superkiller (A Musical Journey Between Life and Death) Review

“After reviewing a slew of bigger releases and personal favorites in recent months, it’s nice to reconnect with the underground and plunge into the dank, mysterious corners of the promo sump. In doing so I stumbled across Germany’s Kadaverficker and their fifth full-length album, Superkiller (A Musical Journey Between Life and Death). Kicking around the traps since forming in 1993, Kadaverficker released a hefty collection of demos, splits, compilations, and various other shorter-form releases, eventually dipping into full-length territory on 2012’s Exploitation Nekronation. What can you expect on an LP that leaves nothing left in the tank across a whopping 71-minute runtime.” Ficking around,

Cruel Force – Dawn of the Axe Review

Cruel Force – Dawn of the Axe Review

Cruel Force released two back-to-back albums in 2010 and 2011, both showcasing a blackened thrash style—and both pretty awesome—but after a decade’s hiatus, the band apparently felt the need for speed, morphing into more of a traditional US-style speed-infused heavy metal project a la Jag Panzer or Omen.” Wiolence and Cruel Force.

Alkaloid – Numen Review

Alkaloid – Numen Review

“German collective Alkaloid bucks the trend often associated with bands fitted with the ‘supergroup’ tag. With a line-up boasting members of such lauded acts as Spawn of Possession, Obscura, Necrophagist, Eternity’s End, Dark Fortress, and many others, on 2015’s striking debut The Malkuth Grimoire, and 2018’s phenomenal sophomore opus Liquid Anatomy, Alkaloid ascended to elite status in the modern progressive and technical death metal scenes.” Dream team on paper (but see the N.Y. Jets).