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Grumbling Fur – Glynnaestra Review

Grumbling Fur – Glynnaestra Review

‘“Why did you start making music?” I asked, while pretending to sip the amazingly cheap red wine in my half-broken glass, scouting for what was left of my dignity while lying on the cold floor. I don’t think he ever gave me an answer, but there are times when Daniel O’Sullivan does not even bother formulating a reply. He breathed out another puff, I turned my head and gave an intoxicated nod to the ceiling while looking nowhere ahead of me. Grumbling Fur’s music is exactly like that whiff. It is not an answer because nobody has ever posed the right question.” If we ever needed someone to decipher that whiff of smoke, you know we’d call Alex to do so. He speaks smoke and obscurity, after all.

Locrian – Return to Annihilation Review

Locrian – Return to Annihilation Review

“Have you ever wondered what happens to the music nobody listens to? It implodes. It does not even make any noise. It simply withers unnoticed, forgotten, unwanted. Then there is the music that stays: that particular strain of artistic endeavor that appeals to the masses and (sometimes) the niches and that we are taught not to live without. Locrian are the natural evolution (some may say ‘consequence’) of the Chicago scene of the late 90s where acts like Tortoise, Isotope 217, and Gastr Del Sol flourished and kept the territory safe from the dying throes of grunge.” Alex thinks this album shouldn’t be left to implode into a black hole of apathy. In fact, he seems quite taken with this experimental fusion of drone, blackness and the kitchen sink.